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Titel och upphov Theory in contemporary art since 1985
Utgivning, distribution etc. Blackwell Pub., Malden, MA : 2005
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DDC klassifikationskod (Dewey Decimal Classification)
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Fysisk beskrivning xxiii, 444 s., 16 pl.-s. : ill.
Term
ISBN 0-631-22867-5 (inb.) 0-631-22868-3 (hft.)
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Theory in Contemporary Art since 1985 is a groundbreaking anthology that captures the essence and the edge of the contemporary art scene. Provides the first truly comprehensive and international anthology of theory in contemporary art of the last two decades. Brings together a broad selection of important contributions to the fields of contemporary art, theory, and culture from established and emergent art voices, including scholars, curators, critics, and artists from around the globe. Focuses on key theoretical and aesthetic issues in contemporary art, such as cultural/multicultural theory, identity politics, AIDS, post-colonialism, globalization, and spectatorship. Includes editorial material and 44 illustrations.
Acknowledgements Table of Contents Photo Credits How To Use This Book Introduction Contemporary Art Practices and Models The Intellectual Field: a world apart When Form Has Become Attitude - And Beyond One Place After Another: Notes on Site Specificity The Curator's Moment How to Provide an Artistic Service: An Introduction Conversation Pieces: The Role of Dialogue in Socially Engaged Art 'yBa' as Critique: The Socio-Political Inferences of the Mediated Video Projection: The Space Between Screens Culture/Identities/Political Fields The War on Culture Feminist Fundamentalism: Women against Images AIDS: Cultural Analysis/Cultural Activism Architecture of the Evicted Gender is Burning: Questions of Appropriation and Subversion Cornered: A Video Installation Project The Mythology of Difference: Vulgar Identity Politics at the Whitney Haunted TV Post-colonial Critiques The Marco Polo Syndrome: Some Problems around Art and Eurocentrism In the 'Heart of Darkness' The Syncretic Turn: Cross-Cultural Practices in the Age of Multiculturalism Authenticity, Reflexivity & Spectacle: or, the rise of New Asia is not the End of the World All-Owning Spectatorship Rethinking Aesthetics A Note on Gerhard Richter's October 18, 1977 Notes on Surface: toward a genealogy of flatness Ruins, Fragmentation, and the Chinese Modern/Postmodern Function and Field 1989 Theories after Postmodernism Postmodernism and Periphery Looking for Trouble Repossessing Popular Culture The Lightness of Theory Informe Without Conclusion The Database Index