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Utgivning, distribution etc. Thames & Hudson , London : 2000
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Anmärkning: Allmän This catalogue was published on the occasion of the exhibition Thomas Demand, presented at the Foundation Cartier pour l'art contemporain, in Paris, from November 24, 2000 to February 4, 2001
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*00000945nam a22002657 45
*00113342
*007|||||||||||||||||||||||
*008110824s2000 ze c 00 0 eng||
*020 $a0-500-97495-0 :$cNo price : Formerly CIP
*035 $a(Ko)14645
*084 $aIbz Demand, Thomas
*24510$aThomas Demand /$c[Francesco Bonami ...]
*260 $aLondon :$bThames & Hudson ,$c2000
*300 $a111 s. :$bill.
*500 $aThis catalogue was published on the occasion of the exhibition Thomas Demand, presented at the Foundation Cartier pour l'art contemporain, in Paris, from November 24, 2000 to February 4, 2001
*60014$aDemand, Thomas, $d1964-
*653 $aPappersskulpturer
*653 $aKonst
*653 $aSkulptur
*7001 $aDemand, Thomas, $d1964-$4oth
*7001 $aBonami, Francesco$4oth
*7101 $aFondation Cartier pour l'art contemporain$4oth
*8520 $cIbz Demand, Thomas
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Originally trained as sculptor, Thomas Demand approaches photography as a means of preserving his painstakingly created, ephemeral paper constructions. At no time do his forms strive for the perfect illusion, his is a wholly artificial world reduced to generic forms. Large immaculate photographs of interiors and architectural exteriors - a world peopled with inanimate objects and bathed in uniform lighting - are mounted on Plexiglass, which underscores the materiality of the photographic object. For each of his reproductions, Demand constructs life-size models using paper and cardboard.