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Arts and crafts houses I : [Red House, Melsetter House, Goddards]
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Main Entry - Personal Name
Title Statement
  • Arts and crafts houses I : [Red House, Melsetter House, Goddards]
Publication, Distribution, etc. (Imprint)
  • Phaidon, London : 1999
  • 1999
  • Språk: Engelska.
SAB Classification Code
Physical Description
  • 180 s. : ill. (vissa i färg.) : 30 cm.
Series Statement/Added entry--Title
Bibliography, etc. Note
  • Includes bibliographies
Subject - Corporate Name
Subject - Topical Term
Index Term - Uncontrolled
Added Entry - Uniform Title
  • Arts & Crafts houses I
  • Arts and Crafts houses 1
  • 0-7148-3875-6 :
  • 0 (0)
*00001262nam a22003977  45
*008110824s1999          ze      00  0 eng||
*020  $a0-7148-3875-6  :$c£12.95 : Formerly CIP
*035  $a(Ko)14626
*084  $aIc-e.47
*1001 $aHollamby, Edward
*24510$aArts and crafts houses I :$b[Red House, Melsetter House, Goddards]  /$c[Edward Hollamby, Trevor Garnham, Brian Edwards]
*260  $aLondon  :$bPhaidon,$c1999
*300  $a180 s.  :$bill. (vissa i färg.)  :$c30 cm.
*440  $aArchitecture 3s
*504  $aIncludes bibliographies
*61024$aRed House (London, England)
*61024$aGoddards (Abinger Common, England)
*650 4$aArts and Crafts Movement
*650 4$aGreat Britain
*650 4$aArchitecture
*650 4$a19th century
*650 4$aGreat Britain
*650 4$aArchitecture, Modern
*650 4$a20th century
*650 4$aGreat Britain
*650 4$aArchitecture, Domestic
*650 4$aGreat Britain
*653  $aArkitektur, Storbritannien
*7001 $aGarnham, Trevor$4aut
*7001 $aEdwards, Brian$4aut
*730  $aArts & Crafts houses I
*730  $aArts and Crafts houses 1
*8520 $cARKITEKTUR - Ic-e
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Part of a series which aims to place noteworthy buildings within theiristorical context, this volume considers Philip Webb's Red House; Williamethaby's Melsetter House; and Edward Lutyen's Goddards. It includespecially produced technical drawings which explain how the buildings wereetailed and put together. The text explains why the three houses are alltudies in Arts and Crafts architecture, with the Red House being a seminaluilding from which the other two take much inspiration. It considers howlthough the three buildings vary in setting, they share obvious commonhemes, and that by studying them together, the larger content of Arts andrafts architecture can be deciphered.

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