Konstfacks bibliotek

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*00113192
*007|||||||||||||||||||||||
*008110824s2002    xxk    |      000 0 eng c
*020  $a0-415-23738-6  :$c£50.00 : CIP entry (Dec.)
*020  $a0-415-23739-4  :$c£15.99
*035  $a(Ko)14468
*084  $aIaa
*084  $aIj:df
*084  $aG:df
*084  $aDf
*24510$aArguing about art :$bcontemporary philosophical debates  /$cedited by Alex Neill and Aaron Ridley
*250  $a2. ed.
*260  $aLondon ;$a2002 :$bRoutledge ,$c2002
*300  $axiii, 479 s.
*500  $a1. ed. publ. by McGraw Hill in 1995
*505  $aIndexeringslänk
*7001 $aNeill, Alex$4edt
*7001 $aRidley, Aaron$4edt
*8520 $hKONST - Iaa
*950  $aAvantgarde (estetik)
*950  $aEstetik
*950  $aDet pittoreska
*950  $aEstetik
*950  $aFilmestetik
*950  $aEstetik
*950  $aForm (estetik)
*950  $aEstetik
*950  $aKonstestetik
*950  $aEstetik
*950  $aKonst och litteratur
*950  $aEstetik
*950  $aLitteraturestetik
*950  $aEstetik
*950  $aOriginalitet (estetik)
*950  $aEstetik
*950  $aTeaterestetik
*950  $aEstetik
*950  $aCamp
*950  $aEstetik
*950  $aPraktisk filosofi
*950  $aEstetik
*950  $aArkitekturestetik
*950  $aEstetik
*950  $aKlassicism (litteratur)
*950  $aEstetik
*950  $aSymmetri
*950  $aEstetik
*950  $aKvinnliga skönhet
*950  $aEstetik
*950  $aSkönhet
*950  $aEstetik
^

This acclaimed and accessible anthology is ideal for newcomers to aesthetics or philosophy. Neill and Ridley introduce a wide range of discussions including sentimentality, feminism and aesthetics, appreciation, understanding and nature. Each chapter is accompanied by a clear introduction and suggestions for further reading.
This new edition has been fully revised and updated. It includes five new sections on the art of food, rock music and culture, enjoying horror, art and morality and public art.
Arguing about Artwill appeal to students of art history, literature, and cultural studies as well as philosophy.

• Preface
• Introduction
• The Art of Food?
• 'Food as Art'
• 'The Meaning of Taste and the Taste of Meaning'
• The 'Authentic' Performance of Music
• 'Authenticity in Musical Performance'
• 'The Concept of Authentic Performance'
• Fakes and Forgeries
• 'What is Wrong with a Forgery?'
• 'Artistic Crimes'
• Rock Music and Culture
• 'Music's Worldly Uses, or How I Learned to Stop Worrying and to Love
• 'The Decline of Musical Culture'
• Appreciation, Understanding and Nature
• 'Appreciation and the Natural Environment'
• 'On Being Moved by Nature: Between Religion and Natural History'
• Photography and Representation
• 'Photography and Representation'
• 'Scruton and Reasons for Looking at Photographs'
• 'Individual Style in Photographic Art'
• Feelings and Fictions
• 'How can we be Moved by the Fate of Anna Karenina?'
• 'Fictions and the Emotions'
• Enjoying Horror
• 'Why Horror?'
• 'The Paradox of Horror.'
• Sentimentality
• 'Sentimentality.'
• 'The Alleged Unwholesomeness of Sentimentality.'
• Art and Morality
• 'Morals in Fiction and Fictional Morality.'
• 'Morals in Ficiton and Fictional Morality - a Response.'
• Feminism and Aesthetics
• 'Oppressive Texts, Resisting Readers and the Gendered Spectator: The New Aesthetics.'
• 'Art, Oppression, and the Autonomy of Aesthetics.'
• Public Art
• 'What is Public Art?: Place, Time and Meaning.'
• 'Public Art/Public Space: The Spectacle of the Tilted Arc Controversy.'
• 'Public Art Controversy: The Serra and Lin Cases.'