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Abstract art in the late twentieth century
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  • KONST - Iaa
Title Statement
  • Abstract art in the late twentieth century
Publication, Distribution, etc. (Imprint)
  • Cambridge University Press , Cambridge : 2002
  • 2002
  • Språk: Engelska.
SAB Classification Code
Physical Description
  • 256 s. : ill.
Subject - Topical Term
Index Term - Uncontrolled
ISBN
  • 0-521-00453-5
  • 0-521-00453-5
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  • 0 (0)
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*00113189
*007|||||||||||||||||||||||
*008110824s2002           e     |0|  ||eng||
*020  $a0-521-00453-5
*020  $a0-521-00453-5
*035  $a(Ko)14465
*084  $aIaa
*084  $aIe.55
*24510$aAbstract art in the late twentieth century  /$cedited by Frances Colpitt
*260  $aCambridge  :$bCambridge University Press ,$c2002
*300  $a256 s.  :$bill.
*650 4$aArt, Abstract
*650 4$aArt, Modern
*650 4$a20th century
*653  $aAbstrakt konst
*653  $aKonstteori
*7001 $aColpitt, Frances$4aut
*8520 $cKONST - Iaa
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These essays on abstract painting by eleven of its most incisive critics trace the development of such critical issues as hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the "death of painting" in Postmodernism. The introduction and commentary by Frances Colpitt situates the essays historically and examines their philosophical sources and influences, from formalism and phenomenology to structuralism and poststructuralism. What emerges is a coherent and optimistic picture of abstract painting--the definitive contribution of modern art.

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