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Titel och upphov Abstract art in the late twentieth century
Utgivning, distribution etc. Cambridge University Press , Cambridge : 2002
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Term
Indexterm - Okontrollerad
ISBN 0-521-00453-5 0-521-00453-5
Antal i kö:
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*24510$aAbstract art in the late twentieth century /$cedited by Frances Colpitt
*260 $aCambridge :$bCambridge University Press ,$c2002
*300 $a256 s. :$bill.
*650 4$aArt, Abstract
*650 4$aArt, Modern
*650 4$a20th century
*653 $aAbstrakt konst
*653 $aKonstteori
*7001 $aColpitt, Frances$4aut
*8520 $cKONST - Iaa
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These essays on abstract painting by eleven of its most incisive critics trace the development of such critical issues as hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the "death of painting" in Postmodernism. The introduction and commentary by Frances Colpitt situates the essays historically and examines their philosophical sources and influences, from formalism and phenomenology to structuralism and poststructuralism. What emerges is a coherent and optimistic picture of abstract painting--the definitive contribution of modern art.
Introduction Four abstract Classicists Literalism and abstraction: Frank Stella's retrospective at the Modern Serial imagery The silent art After the ultimate Marden, Novros, Rothko: painting in the age of actuality The end of a painting Signs taken for wonders The current state of nonrepresentation The abstract self-object Once removed from what? Systems of opinion: abstract painting since 1959