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Design literacy (continued) : understanding graphic design
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  • GRAFISK DESIGN - Ifq:d
Main Entry - Personal Name
Title Statement
  • Design literacy (continued) : understanding graphic design
Publication, Distribution, etc. (Imprint)
  • Allworth Windsor , New York ; Garsington ; 1999 : 1999
  • 1999
  • Språk: Engelska.
SAB Classification Code
Physical Description
  • 281 s. : ill. : 26cm
Subject - Topical Term
ISBN
  • 1-58115-035-0 (pbk)
  • 1-58115-035-0 :
Waiting
  • 0 (0)
 
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*008110824s1999    xxu    |      000 0 eng c
*020  $a1-58115-035-0 (pbk)
*020  $a1-58115-035-0  :$c£12.95 : CIP entry (Nov.)
*035  $a(Ko)14081
*040  $dMah$dLa
*084  $aIfq
*084  $aIfq
*1001 $aHeller, Steven
*24510$aDesign literacy (continued) :$bunderstanding graphic design  /$cSteven Heller
*260  $aNew York ;$aGarsington ;$a1999 :$bAllworth$bWindsor ,$c1999
*300  $a281 s.  :$bill.  :$c26cm
*650 4$aGraphic arts
*650 4$aHistory
*650 4$a20th century
*650 4$aBruksgrafik
*650 4$aSymboler
*650 4$aGrafisk formgivning
*650 4$aGraphic arts
*650 4$aSigns and symbols
*650 4$aGraphic design (Typography)
*697  $cBruksgrafik
*8520 $hGRAFISK DESIGN -  Ifq:d
*950  $aVykort
*950  $aBruksgrafik
*950  $aSymbolik
*950  $aSymboler
*950  $aEmblem
*950  $aSymboler
*950  $aAxis mundi
*950  $aSymboler
*950  $aFranska liljan
*950  $aSymboler
*950  $aLiemannen (fiktiv gestalt)
*950  $aSymboler
*950  $aSmileys
*950  $aSymboler
*950  $aSamiska symboler
*950  $aSymboler
*950  $aTorshammare
*950  $aSymboler
*950  $aIdeogram
*950  $aSymboler
*950  $aVisuell kommunikation
*950  $aSymboler
*950  $aLandskapssymboler
*950  $aSymboler
*950  $aKyrkliga symboler
*950  $aSymboler
*950  $aNationella symboler
*950  $aSymboler
*950  $aInsignier
*950  $aSymboler
*950  $aGrafiska profiler
*950  $aGrafisk formgivning
*950  $aGrafisk design
*950  $aGrafisk formgivning
^
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A sequel to its popular forerunner, this edition casts the net even further in examining the reasons and history behind various objects of design that have had a significant impact on our culture. The objects discussed range from the vintage posters that promoted concerts and fairs during the 1930s to a Rolling Stones' CD cover from the 1990s. This volume also investigates larger movements and phenomena, including Norman Rockwell's affect on Americana and Cartoon Network's hold on children. Like the first volume, this is an eclectic look at how, why, and if graphic design, in the broadest sense, works as an influence on the public eye. Designers, students, and anyone interested in the history and dynamics of graphics as art and craft will find this an engaging and instructive read.

Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

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