Konstfacks bibliotek

*00000972nam a22003617  45
*00112813
*007|||||||||||||||||||||||
*008110824s1999           e     |||  ||eng||
*020  $a0811825477
*020  $a0811825477
*020  $z(hft.)
*035  $a(Ko)14066
*084  $aIh-oec
*1001 $aTakeji, Iwamiya
*24510$aKatachi :$bclassic Japanese design  /$cTakeji Iwamiya, Kazuya Takaoka
*260  $aSan Francisco, Calif. ;$aLondon  :$bChronicle$bHi Marketing ,$c1999
*300  $a398 s.  :$bhuvudsakligen ill.  :$c23 cm
*653  $aKonsthantverk
*653  $aDesign
*653  $aJapan
*653  $aPapper
*653  $aTrä
*653  $aBambu
*653  $aTextil
*653  $aKeramik
*653  $aMetall
*653  $aSten
*697  $cKonsthantverk Japan
*697  $cKonst Konsthistoria Folkkonst Japan
*7001 $aKazuya, Takaoka$4aut
*8520 $cDESIGN & KONSTHANTVERK - Ih
*950  $aTräslag
^

Untranslatable, the word katachi signifies the essence of Japanese designthe form, symmetry, and workmanship of traditional craft. Embodying the marriage of beauty and functionality that is the key to the Japanese aesthetic, the objects presented in Katachi are made of materials that have played an important role in Japanese life for centuries: wood, bamboo, stone, fiber, metal, earth. The photographs, in black-and-white and color, showcase pieces ranging from exquisite geometric stone carvings and architecturally elegant shoji screens to such humble yet perfectly conceived objects as combs, sandals, rakes, and teapots. Twenty years in the making, photographer Takeji Iwamiya's masterwork is a lovingly rendered tribute to these objects and the culture they sprang from. Japanese concepts of shape and form have been a major influence on contemporary design throughout the world, and this eloquent collection will appeal to designers as much as to connoisseurs of Japanese art and culture.

• Through the Mirror of Japanp. 7
• Paperp. 15
• Woodp. 73
• Bamboop. 161
• Fiberp. 207
• Clayp. 261
• Metalp. 307
• Stonep. 359
• Commentaries on the photographsp. 400