Mikromarc websearch

*00000837nam a22003013  45
*00112349
*007|||||||||||||||||||||||
*008110824s1987           e            eng||
*020  $a0253100577
*020  $a0253100577
*020  $a0253203996
*020  $a0253203996
*035  $a(Ko)13561
*084  $aIb.5
*084  $aKt.5
*084  $aBe.5
*1001 $aHuyssen, Andreas
*24510$aAfter the great divide :$bmodernism, mass culture, postmodernism  /$cAndreas Huyssen
*260  $aBloomington  :$bIndiana Univ. Press ,$c1987
*300  $a244 s.
*440  $aTheories of representation and difference
*653  $aModernismen
*653  $aPostmodernism
*653  $aMasskultur
*697  $cKonst Konsthistoria Modern Tid
*697  $cKulturhistoria Modern Tid
*8520 $cKONST - Ib.5
^

• Acknowledgments
• The Politics of Indentification: "Holocaust" and West German Drama
• Memory, Myth, and the Dream of Reason: Peter Weiss's Die Asthetik des Widerstands
• Toward the Postmodern
• The Cultural Politics of Pop
• The Search for Tradition: Avantgarde and Postmodernism in the 1970s
• Mapping the Postmodern
• Notes
• Introduction
• The Vanishing Other: Mass Culture
• The HIdden Dialectic: Avantgarde-Technology-Mass Culture
• Adorno in Reverse: From Hollywood to Richard Wagner
• Mass Culture as Woman: Modernism's Other
• Texts and Contexts
• The Vamp and the Machine: Fritz Lang's Metropolis
• Producing Revolution: Heiner Muller's Mauser as Learning Play