Konstfacks bibliotek

*00000660nam a22002413  45
*00112192
*007|||||||||||||||||||||||
*008110824s1973|||||||||||e||||||||||||eng||
*020  $a083482700X
*020  $a083482700X
*020  $a0834827034
*020  $a0834827034
*035  $a(Ko)13387
*0410 $aeng$hjap
*084  $aIha
*1001 $aMizoguchi, Sabur
*240 0$aMony
*24510$aDesign motifs  /$cby Sabur Mizoguchi ; transl. and adapted by Louise Allison Cort
*260  $aNew York  :$bWeatherhill ,$c1973
*300  $a143, [1] s.  :$bill.
*440  $aArts of Japan  ;$v1
*8520 $hIha
^

• Translator's Prefacep. 7
• Introductionp. 9
• The Dawn of Design: Prehistoric Period (to A.D. 552)p. 13
• Buddhist Motifsf Asuka Period (552-645)p. 19
• Flowering of Design: Nara Period (645-794)p. 26
• Development of a Native Style Heian Period (794-1185)p. 39
• Increasing Severity Kamakura Period (1185-1392)p. 68
• Influence of Yüan and Ming Styles Muromachi Period (1392-1568)p. 81
• Changing Taste: Momoyama Period (1568-1615)p. 88
• Beginning of Modern Motifs Edo Period (1615-1868)p. 103
• Yūsoku Textile Patternsp. 123
• Family Crestsp. 129
• Glossaryp. 137
• Indexp. 141