Hylla KONST - Ibz Laib, Wolfgang
Personnamn
Titel och upphov Wolfgang Laib: a retrospective
Utgivning, distribution etc. Hatje Cantz American Federation of Arts , Ostfildern-Ruit ; New York : 2000
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 203 s. : ill. (huvudsakligen i färg) : 29 cm
Anmärkning: Allmän "Published in conjunction with an exhibition organized by the American Federation of Arts and held at the Hirshhorn Museum & Sculpture Garden, Washington D.C., and five other institutions between Oct. 26, 2000, and Jan. 2003."
Personnamn
Institutionsnamn
Uniform titel
ISBN 3775709452 3775709452 1885444141 1885444141
Antal i kö:
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*00111918
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*008110824s2000 | ||| ||eng||
*020 $a3775709452
*020 $a3775709452
*020 $a1885444141
*020 $a1885444141
*035 $a(Ko)13090
*084 $aIbz Laib, Wolfgang
*1001 $aLaib, Wolfgang
*24510$aWolfgang Laib: a retrospective /$cKlaus Ottmann ; with an essay by Margit Rowell ; and a conversation between the artist and Harald Szeemann
*260 $aOstfildern-Ruit ;$aNew York :$bHatje Cantz$bAmerican Federation of Arts ,$c2000
*300 $a203 s. :$bill. (huvudsakligen i färg) :$c29 cm
*500 $a"Published in conjunction with an exhibition organized by the American Federation of Arts and held at the Hirshhorn Museum & Sculpture Garden, Washington D.C., and five other institutions between Oct. 26, 2000, and Jan. 2003."
*60014$aLaib, Wolfgang,$d1950-
*7001 $aOttmann, Klaus$4aut
*7001 $aRowell, Margit $4aut
*7001 $aSzeemann, Harald$4aut
*7101 $aAmerican Federation of Arts
*7101 $aFederation of Arts
*7300 $aWolfgang Laib
*8520 $hKONST - Ibz Laib, Wolfgang
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Wolfgang Laib's breathtaking and quietly beautiful artwork draws on the ritual life he leads in and with nature and its processes of becoming and forgetting. His works are composed of purely natural materials, collected and processed by the artist himself in the 70s, he created his first milk stone, and then moved on to sifting pollen into "color miracles" or piling it into "insurmountable mountains"; in the 80s, he began to incorporate rice into his pieces; and towards the end of the decade he began working in beeswax. This gorgeous retrospective of his work -- with texts by Klaus Ottman and Margit Rowell, and interview between the artist and Harold Szeeman -- offers us a key to fully appreciating his complex and transcendent body of work.