Konstfacks bibliotek

*00000893nam a22003017  45
*00111739
*007|||||||||||||||||||||||
*008110824s1996           e     |||  ||eng||
*020  $a0935640525
*020  $a0935640525
*035  $a(Ko)12895
*084  $aInz Höch, Hannah
*084  $aIbz Höch, Hannah
*1001 $aHöch, Hannah
*24514$aThe photomontages of Hannah Höch  /$cessays by Peter Boswell ...
*260  $aMinneapolis ;$a1996 :$bWalker Art Center ,$ccop. 1996
*300  $a224 s.  :$bill.
*500  $a"Exhibition organized by the Walker Art Center, Minneapolis, and held Oct. 20, 1996-Feb. 2, 1997 ... "
*60014$aHöch, Hannah,$d1889-1978
*653  $aFotomontage
*653  $aKonst
*653  $aTyskland
*653  $a1900-talet
*7001 $aBoswell, Peter
*8520 $cInz Höch, Hannah
^

"A pioneer in the medium of photomontage, Hannah Hoch (1889-1978) was the sole female member of the Berlin Dada movement and continued to produce innovative works well into the 1970s. In the decade and a half since her death, a new generation of scholars has focused its attention on her elegant dissection of the representation of women in the mass media during the Weimar era. Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction. This beautifully designed catalogue presents more than l00 color plates and offers new insights into the life and career of this extraordinary artist."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved