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Main Entry - Personal Name
Title Statement An introduction to visual culture
Publication, Distribution, etc. (Imprint) Routledge , London : 1999
SAB Classification Code
Physical Description
Index Term - Uncontrolled
ISBN
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This is a wide-ranging and stimulating introduction to the history and theory of visual culture from painting to the computer and television screen. It will prove indispensable to students of art and art history as well as students of cultural studies. Mirzoeff begins by defining what visual culture is, and explores how and why visual media - fine art, cinema, the Internet, advertising, performance, photography, television - have become so central to contemporary everyday life. He argues that the visual is replacing the linguistic as our primary means of communicating with each other and of understanding our postmodern world. Part One of the Introduction presents a history of modern ways of seeing, including: * the formal practices of line and colour in painting * photographys claim to represent reality * virtual reality, from the nineteenth century to the present. In Part Two, Mirzoeff examines: * the visualization of race, sexuality and human identity in culture * gender and sexuality and questions of the gaze in visual culture * representations of encounters with the other, from colonial narratives to Science Fiction texts such as The Thing, Independence Day, Star Trek and The X-Files * the death of Princess Diana and the popular mourning which followed as marking the coming of age of a global visualized culture.
List of illustrations p. ix Acknowledgments p. xiii Introduction: What is visual culture? p. 1 Visualizing p. 5 Visual Power, Visual Pleasure p. 9 Visuality p. 13 Culture p. 22 Everyday Life p. 26 Visuality p. 35 Picture definition: Line, color, vision p. 37 Perspectives p. 38 Discipline and Color p. 51 Normalizing Color: Color Blindness p. 53 Light Over Color p. 55 White p. 58 Coda p. 62 The age of photography (1839-1982) p. 65 The Death of Painting p. 65 The Birth of the Democratic Image p. 71 Death and Photography p. 73 From Photo Noir to Post-Photography p. 78 The Death of Photography p. 88 Virtuality: From virtual antiquity to the pixel zone p. 91 Interfaces with Virtuality p. 92 Virtuality Goes Global p. 96 Telesublime p. 99 Virtual Reality p. 101 Virtual Reality and Everyday Life p. 104 Virtual Identity p. 107 Net Life p. 111 More Pixels Anyone? p. 114 Virtual Bodies p. 116 Culture p. 127 Transculture: From Kongo to the Congo p. 129 Inventing the Heart of Darkness p. 132 Resistance Through Ritual p. 147 Cultural Memory p. 153 New Visions from the Congo p. 156 Seeing sex p. 162 Fetishizing the Gaze p. 163 From Inversion to Opposites and Ambiguity p. 167 Seeing Female Sex p. 170 Mixing: the Cultural Politics of Race and Reproduction p. 174 Queering the Gaze: Roger Casement's Eyes p. 183 First contact: From Independence Day to 1492 and Millennium p. 193 Enter the Extraterrestials p. 194 The Return of the Empire p. 202 Aliens as Evil p. 207 Trekking p. 211 TV Past and Present p. 222 Global/Local p. 229 Diana's death: Gender, photography and the inauguration of global visual culture p. 231 Popularity and Cultural Studies p. 232 Photography and the Princess p. 235 Pictures in India p. 237 The Celebrity Punctum p. 240 Flags and Protocol: the Devil in the Detail p. 244 Death and the Maiden: the Sign of New Britain p. 247 Pixel Planet p. 248 Coda:Fire p. 255 Index p. 261