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Titel och upphov The art of art history : a critical anthology
Utgivning, distribution etc. Oxford Univ. Press, Oxford : 1998
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 595 s. : ill. (vissa i färg) ; 24 cm
Serietitel - biuppslagsform
Term
Indexterm - Okontrollerad
Automatiskt genererade ämnesord (BURK) Konst Konsthistoria Konst Teori Estetik
ISBN 0-19-284242-0 978-0-19-284242-8
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The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be.
Acknowledgements Introduction Making the Visible Legible Art as History Introduction Reflections on the Imitation of Greek Works in Painting and Sculpture Winckelmann Divided: Mourning the Death of Art History Patterns of Intention Aesthetics Introduction What is Enlightenment? The Critique of Judgement Philosophy of Fine Art Style Introduction Principles in Art History "Form", Nineteenth-Century Metaphysics, and the Problem of Art Historical Description Style Style History as an Art Introduction Leading Characteristics of the Later Roman Kunstwollen Images from the Regions of the Pueblo Indians Warburg's Concept of Kunstwissenschaft and its Meaning for Aesthetics Retrieving Warburg's Tradition Mechanisms of Meaning: Iconography and Semiology Introduction Semiotics and Iconography Semiotics and Art History Et in Arcadia Ego: Poussin and the Elegiac Tradition Toward A Theory of Reading in the Visual Arts: Poussin's The Arcadian Shepherds Modernity and its Discontents Introduction Sculpture in the Expanded Field What Is an Author? The Allegorical Impulse: Toward a Theory of Postmodernism Mapping the Postmodern The Gendered Subject Introduction The Art Historical Canon: Sins of Omission Sexuality and/in Representation: Five British Artists No Essential Femininity Postfeminism, Feminist Pleasures, and Embodied Theories of Art Deconstruction and the Limits of Interpretation Introduction The Temptation of New Perspectives The Origin of the Work of Art The Still Life as a Personal Object Restitutions of the truth in pointing [pointure] The Other: Art History and/as Museology Introduction Orientalism and the Exhibitionary Order Civilising Rituals: Inside Public Art Museums The Recalcitrant Object: Culture Contact and the Question of Hybridity Nestor Garcia Canclini Donald Preziosi Afterword Notes Bibliographic Essay Biographical Notes Text Acknowledgements List of Illustrations Glossary Index