Hylla
Titel och upphov Art after modernism : rethinking representation
Utgivning, distribution etc. The New Museum of Contemporary Art , New York : 1984
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Serietitel - biuppslagsform
Indexterm - Okontrollerad
ISBN 0-87923-632-9 0-87923-632-9
Antal i kö:
*00000706nam a22002417 45
*00111200
*007|||||||||||||||||||||||
*008110824s1984 e ||| 0|swe||
*020 $a0-87923-632-9
*020 $a0-87923-632-9
*035 $a(Ko)12312
*084 $aIaa
*084 $aIb.55
*24510$aArt after modernism :$brethinking representation /$cedited and with an introduction by Brian Wallis
*260 $aNew York :$bThe New Museum of Contemporary Art ,$c1984
*300 $a461 s. :$bill.
*440 $aDocumentary sources in contemporary art
*653 $aKonst
*653 $aKonstteori
*653 $a1900-talet
*7001 $aWallis, Brian$4aut
*8520 $cKONST - Iaa
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
The waning of the century-old modernist movement in the arts has called forth an array of artistic and critical responses. The 25 essays in this text provide a survey of the most provocative directions taken by art and criticism in the postmodern age.
Foreword p. vii What's Wrong with This Picture? an Introduction p. xi Image / Author / Critique p. 1 Pierre Menard, Author of the Quixote p. 3 The Originality of the Avant-Garde: a Postmodernist Repetition p. 13 Realism for the Cause of Future Revolution p. 31 Dismantling Modernism p. 43 The Rise of Andy Warhol p. 45 After Avant-Garde Film p. 59 Photography After Art Photography p. 75 Re-Viewing Modernist Criticism p. 87 Paroxysms of Painting p. 105 Figures of Authority, Ciphers of Regression p. 107 Flak from the "Radicals": the American Case Against Current German Painting p. 137 Last Exit: Painting p. 153 Theorizing Postmodernism p. 167 From Work to Text p. 169 Pictures p. 175 Post p. 189 The Allegorical Impulse: Toward a Theory of Postmodernism p. 203 the Fictions of Mass Media p. 237 Progress Versus Utopia; Or, Can We Imagine the Future? p. 239 The Precession of Simulacra p. 253 Eclipse of the Spectacle p. 283 Cultural Politics p. 295 The Author as Producer p. 297 Lookers, Buyers, Dealers, and Makers: Thoughts on Audience p. 311 Trojan Horses: Activist Art and Power p. 341 Gender / Difference / Power p. 359 sual Pleasure and Narrative Cinema p. 361 "A Certain Refusal of Difference": Feminism and Film Theory p. 375 Representation and Sexuality p. 391 The Subject and Power p. 417 Bibliography p. 435 Index p. 447 Contributors p. 460