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Titel och upphov Of remixology : ethics and aesthetics after remix
Utgivning, distribution etc. MIT Press, Cambridge, MA : 2016
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Term
ISBN 978-0-262-03393-0 (hardcover : alk. paper)
Antal i kö:
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*00140309
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*008151005s2016 mau b 001 0 eng
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*020 $a978-0-262-03393-0 (hardcover : alk. paper)
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*035 $a(Ko)47493
*040 $aDLC$beng$erda$cDLC
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*05000$aBH201$b.G86 2016
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*084 $aDf$2kssb/8
*1001 $aGunkel, David J.
*24510$aOf remixology :$bethics and aesthetics after remix /$cDavid J. Gunkel
*260 $aCambridge, MA :$bMIT Press,$c2016
*300 $axxi, 208 s. :$bill.
*504 $aIncludes bibliographical references and index.
*599 $aImported from: lx2.loc.gov:210/LCDB (Do not remove)
*650 7$aEstetik$2sao$0https://id.kb.se/term/sao/Estetik
*650 7$aAppropriering (konst)$2sao$0https://id.kb.se/term/sao/Appropriering %20%28konst%29
*650 0$aAesthetics, Modern$y20th century.
*650 0$aAesthetics, Modern$y21st century.
*650 0$aEthics.
*650 0$aArt$xMoral and ethical aspects.
*650 0$aRemixes$xMiscellanea.
*650 0$aAppropriation (Art)
*650 0$aAesthetics
*852 $5Ko$bKo$hDf$lGUN
*950 $aPostmodernism (konst)$uAppropriering (konst)
*950 $aSkönhet$uEstetik
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*950 $aDet pittoreska$wh$uEstetik
*950 $aFilmestetik$wh$uEstetik
*950 $aForm (estetik)$wh$uEstetik
*950 $aFulhet$wh$uEstetik
*950 $aKonstestetik$wh$uEstetik
*950 $aKonst och litteratur$wh$uEstetik
*950 $aLitteraturestetik$wh$uEstetik
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*950 $aTeaterestetik$wh$uEstetik
*950 $aVulgaritet$wh$uEstetik
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*950 $aPraktisk filosofi$uEstetik
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*950 $aKlassicism (litteratur)$wh$uEstetik
*950 $aSymmetri$wh$uEstetik
*950 $aKvinnlig skönhet$uEstetik
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A new theory of moral and aesthetic value for the age of remix, going beyond the usual debates over originality and appropriation.
Remix--or the practice of recombining preexisting content--has proliferated across media both digital and analog. Fans celebrate it as a revolutionary new creative practice; critics characterize it as a lazy and cheap (and often illegal) recycling of other people's work. In Of Remixology , David Gunkel argues that to understand remix, we need to change the terms of the debate. The two sides of the remix controversy, Gunkel contends, share certain underlying values--originality, innovation, artistic integrity. And each side seeks to protect these values from the threat that is represented by the other. In reevaluating these shared philosophical assumptions, Gunkel not only provides a new way to understand remix, he also offers an innovative theory of moral and aesthetic value for the twenty-first century.
In a section called "Premix," Gunkel examines the terminology of remix (including "collage," "sample," "bootleg," and "mashup") and its material preconditions, the technology of recording. In "Remix," he takes on the distinction between original and copy; makes a case for repetition; and considers the question of authorship in a world of seemingly endless recompiled and repurposed content. Finally, in "Postmix," Gunkel outlines a new theory of moral and aesthetic value that can accommodate remix and its cultural significance, remixing--or reconfiguring and recombining--traditional philosophical approaches in the process.
Preface p. ix Acknowledgments p. xiii Introduction p. xvii Premix p. 1 Terminological Mix-Up p. 3 Sampling Terminology p. 3 Collage p. 4 Sample p. 7 Bootleg p. 9 Mashup p. 11 Remix p. 15 Mixed Messages p. 18 Irreducible Plurality p. 19 Polyonyms, Hyponyms, and Quasi Synonyms p. 20 Master Signifiers p. 22 Remixology p. 26 Remixing Epistemology p. 26 Remixing Truth p. 28 Remixing Rhetoric p. 31 For the Record p. 33 Technology p. 36 Writing as Technology p. 37 Technology as Writing p. 39 Recording p. 41 Preservation Medium p. 41 Technological Axiology p. 44 Writing Problems p. 46 Representation p. 46 Repetition p. 49 Vulnerabilities p. 51 Remixing Platonism p. 54 Remix p. 59 Simulation p. 61 Blind Faith p. 64 Listening to Baudrillard p. 64 Fidelity p. 67 Critical Infidelities p. 71 Rethinking Recording p. 71 Simulation p. 74 The Order of Simulacra p. 76 Remixing Baudrillard p. 79 Outside the Box p. 80 Critical Blasphemy p. 82 Repetition p. 85 Repetition 1.0 p. 87 Remix History p. 88 Remix Theory p. 98 Repetition 2.0 p. 103 Simulation Again p. 104 Rethinking Axiology p. 106 Reversing Platonism p. 108 The End of Platonism p. 111 Promiscuous Bastards p. 115 What Is an Author? p. 116 The Invention of the Author p. 117 Authorship and Music p. 120 Death of the Author p. 126 Ghost in the Machine p. 126 Remixing Authority p. 129 Afterlife p. 130 Reanimation p. 131 Giving Up the Ghost p. 135 Postmix p. 139 Rethinking Remix p. 141 Responding to Remix p. 143 Ptolemization p. 144 Revolution p. 146 Remixing Theory p. 150 Derrida vs. Tecnobrega p. 150 Zizekian Mashup p. 156 Concluding Reflections p. 166 Remix(ing) Axiology p. 169 Elements of Remixology p. 170 Simulation p. 170 Repetition p. 171 Unauthorized p. 172 Applied Remixology p. 174 Competition p. 175 Decision p. 175 Finitude p. 176 Conclusions p. 176 Notes p. 179 References p. 183 Index p. 201