Hylla
Personnamn
Titel och upphov Street photography : from Atget to Cartier-Bresson
Utgivning, distribution etc. I.B. Tauris, London : 2007
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xi, 233 s. : ill. ; 24 cm
Personnamn
Term
ISBN 1-84511-223-7 (hft.) 978-1-84511-223-3 (hft.) 978-1-84511-268-4 (inb.) 1-84511-268-7 (inb.)
Antal i kö:
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*020 $a978-1-84511-268-4 (inb.)
*020 $a1-84511-268-7 (inb.)
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*60014$aAtget, Eugène,$d1857-1927
*60014$aCartier-Bresson, Henri,$d1908-2004
*650 7$aGatufotografi$xhistoria$zFrankrike$zParis$2sao
*650 0$aStreet photography$zFrance$zParis$y19th century.
*650 0$aStreet photography$zFrance$zParis$y20th century.
*650 0$aStreet photography$xHistory.
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*852 $5Ko$bKo$hFOTOGRAFI - Inb
*900 $aBresson, Henri Cartier,$d1908-$uCartier-Bresson, Henri,$d1908-2004
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Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with parallel literary trends and authors from Baudelaire to Philippe Soupault. Clive Scott traces street photography's origins, asking what really what happened to photography when it first abandoned the studio, and brings to the fore fascinating questions about the way the street photographer captures or frames those subjects - traders, lovers, entertainers - so beloved of the genre. In doing so, Scott reveals street photography to be a poetic, even 'picturesque' form, looking not to the individual, but to the type; not to the 'reality' of the street but to its 'romance'.
Acknowledgements p. vii Illustrations p. ix Introduction p. 1 Out of the studio into the street p. 21 The street-photographic and the documentary p. 57 Street arts and street metiers p. 90 Street photography: the appropriateness of language and an appropriate language p. 124 Streets, buildings and the gendered city p. 162 Conclusion p. 195 Appendix p. 202 Notes p. 211 References p. 221 Index p. 229