Hylla KONST - Ibz Ivecović, Sanja
Personnamn
Titel och upphov Sanja Iveković : sweet violence
Utgivning, distribution etc. Museum of Modern Art, New York : 2011
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
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ISBN 978-0-87070-811-4 0-87070-811-2
Antal i kö:
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*24510$aSanja Iveković :$bsweet violence /$cRoxana Marcoci ; [Terry Eagleton]
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*7001 $aMarcoci, Roxana$4aut
*7001 $aEagleton, Terry, $d1943-$4aut
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*852 $5Ko$bKo$hKONST - Ibz Ivecović, Sanja
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Published in conjunction with the first solo museum exhibition of the work of Sanja Iveković in the United States, this volume presents the most comprehensive survey on the artist available in English. A feminist, activist, video and performance pioneer, Iveković (born Zagreb, 1949) came of age in the early 1970s during the period known as the Croatian Spring, when artists broke free from mainstream institutional settings, laying the ground for a new form of practice antipodal to official art. She produced works of crosscultural resonance that range from Conceptual photomontages to video, installation and performance. This catalogue presents an overview of the artist's projects from the early 1970s to 2010 in all mediums, offering a fascinating view of the official politics of power, gender roles, and the paradoxes inherent in a society's collective memory. Essays by Roxana Marcoci and Terry Eagleton offer a critical examination of the neo-avantgarde in former Yugoslavia, within which Iveković's work first emerged, and place her work in the context of violence in art and real-life circumstances. This publication contributes to the reevaluation of significant women artists ad a broader understanding of the discursive relationship between art, performance, political studies, and social change in the post-1960s period.