Hylla TIMELINE Konstfacks videotek - Historical :
Personnamn
Titel och upphov Mandala films [VHS-video]
Utgivning, distribution etc.
Utgivningsår
Språk: Odefinierat språk.
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Allmän 1. Piece Mandala/End war (1966, 5 min) -- 2. N:O:T:H:I:N:G (1968, 36 min) -- 3. T,O,U,C,H,I,N,G. (1968, 12 min) 1. Piece Mandala/End war was made for an anthology of films the general theme of which was to be For Life, Against the War. It is meant to provide a short but intense meditative experience. 2. N:O:T:H:I:N:G strips away anything standing in the way of the film being its own reality. The theme of the work is to deal with the non-understandable, the impossible, in a structed way. 3. T,O,U,C,H,I,N,G. The film's title shows the physical conception of Sharits' cinema: starting from discrete units (still frames) a fluid movement is created (the cinematic illusion). In this film there are three types of images which show physical contact: the hands performing various destructive actions around the face ; a surgical operation on an eye ; a photo of sexual penetration.
Personnamn
Indexterm - Okontrollerad
Elektronisk adress och åtkomst (URI) sharits.jpg Omslag / cover image
Antal i kö:
*00001582ngm a2200289 45
*00135712
*00520141217145303.7
*007vd v
*008110824s2003 sw |:|||||||||||| ||und d
*0284 $aCNC EDV 519$bRe:voir
*035 $a(Ko)39994
*084 $aIbh
*1001 $aSharits, Paul
*24510$aMandala films$h[VHS-video] /$cPaul Sharits
*260 $aParis :$bRe:voir ,$c2003
*300 $eBooklet 27 p.
*500 $a1. Piece Mandala/End war (1966, 5 min) -- 2. N:O:T:H:I:N:G (1968, 36 min) -- 3. T,O,U,C,H,I,N,G. (1968, 12 min)
*500 $a1. Piece Mandala/End war was made for an anthology of films the general theme of which was to be For Life, Against the War. It is meant to provide a short but intense meditative experience.
*500 $a2. N:O:T:H:I:N:G strips away anything standing in the way of the film being its own reality. The theme of the work is to deal with the non-understandable, the impossible, in a structed way.
*500 $a3. T,O,U,C,H,I,N,G. The film's title shows the physical conception of Sharits' cinema: starting from discrete units (still frames) a fluid movement is created (the cinematic illusion). In this film there are three types of images which show physical contact: the hands performing various destructive actions around the face ; a surgical operation on an eye ; a photo of sexual penetration.
*60014$aSharits, Paul, $d1943-1993
*60014$aKo
*653 $aVideokonst
*8520 $hTIMELINE Konstfacks videotek - Historical :
*8564 $usharits.jpg$yOmslag / cover image$2file
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