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Titel och upphov The last picture show : art ists using photography, 1960-1982
Utgivning, distribution etc. Walker Art Center , Minneapolis, Minn. ; 2003 : 2003
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Fysisk beskrivning 335 s. : huvudsakligen ill.
Anmärkning: Allmän Catalogue of an exhibition held at the Walker Art Center Minneapolis, Minn., Oct. 2003-Jan. 2004; UCLA Hammer Museum Los Angeles, Calif., Feb.-May, 2004.
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ISBN 0-935640-76-2 (alk. paper) 0-935640-76-2
Antal i kö:
*00001538nam a22005058a 4500
*00128005
*007|||||||||||||||||||||||
*008110824s2003 mnu | c 000 0 eng||
*020 $a0-935640-76-2 (alk. paper)
*020 $a0-935640-76-2
*035 $a(Ko)32159
*084 $aInb
*084 $aIna
*1001 $aFogle, Douglas,$d1964-
*24514$aThe last picture show :$bart ists using photography, 1960-1982 /$cDouglas Fogle
*250 $a1. ed.
*260 $aMinneapolis, Minn. ;$a2003 :$bWalker Art Center ,$c2003
*300 $a335 s. :$bhuvudsakligen ill.
*500 $aCatalogue of an exhibition held at the Walker Art Center Minneapolis, Minn., Oct. 2003-Jan. 2004; UCLA Hammer Museum Los Angeles, Calif., Feb.-May, 2004.
*650 4$aPhotography, Art istic
*650 4$aExhibitions.
*650 4$aHistory
*650 4$a20th century
*650 4$aArt and photography
*650 4$aExhibitions.
*650 4$aHistory
*650 4$a20th century
*650 4$aFotografi
*650 4$autställningskataloger
*650 4$ahistoria
*650 4$a1960-talet
*650 4$a1970-talet
*650 4$a1980-talet
*650 4$aFotokonst
*650 4$autställningskataloger
*650 4$ahistoria
*650 4$a1960-talet
*650 4$a1970-talet
*650 4$a1980-talet
*7101 $aWalker Art Center $4oth
*7101 $aUCLA Hammer Museum of Art and Cultural Center .$4oth
*8520 $hFOTOGRAFI - Inb
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Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using photography by tracing the development of conceptual trends in postwar photographic practice from its first glimmerings in the 60s in the work of artists such as Bernd & Hilla Becher, Ed Ruscha and Bruce Nauman, to its rise to art-world prominence in the work of the artists of the late 70s and early 80s including Sherrie Levine, Richard Prince and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities. Bringing together a newly commissioned body of scholarship with reprints of important historical texts, The Last Picture Show seeks to define the legacy that has produced a rich body of photographic practice in the art world today.
Foreword p. 6 Acknowledgments p. 7 The Last Picture Show p. 9 Artists and Photographs p. 20 "I'm Not Really a Photographer" p. 22 The Anti-Photographers p. 24 "Marks of Indifference": Aspects of Photography in, or as, Conceptual Art p. 32 Vito Acconci p. 45 Bas Jan Ader p. 47 Giovanni Anselmo p. 50 Eleanor Antin p. 52 John Baldessari p. 54 Bernd and Hilla Becher p. 58 Joseph Beuys p. 61 Mel Bochner p. 64 Christian Boltanski p. 67 Marcel Broodthaers p. 70 Victor Burgin p. 72 Sarah Charlesworth p. 74 Bruce Conner p. 78 Jan Dibbets p. 80 Valie Export p. 82 Alternative Pictures: Conceptual Art and the Artistic Emancipation of Photography in Europe p. 86 Photographs of Motion p. 97 The Weight of Time p. 99 Art through the Camera's Eye p. 105 Misunderstandings (A Theory of Photography) p. 107 The Adventures of the Picture Form in the History of Photography p. 113 Hans-Peter Feldmann p. 129 Peter Fischli and David Weiss p. 131 Gilbert & George p. 136 Dan Graham p. 138 Hans Haacke p. 143 Douglas Huebler p. 146 Yves Klein p. 148 Imi Knoebel p. 149 Silvia Kolbowski p. 153 Jeff Koons p. 155 Barbara Kruger p. 156 David Lamelas p. 158 Louise Lawler p. 160 Sherrie Levine p. 163 Sol LeWitt p. 168 Richard Long p. 174 Cancellation p. 177 Notes on My Photographs, 1969-1970 p. 183 Notebook Excerpts, 1969 p. 184 The Austerlitz Effect: Architecture, Time, Photoconceptualism p. 185 My Files of Movie Stills p. 195 Disposable Matter: Photoconceptual Magazine Work of the 1960s p. 196 The Photographic Activity of Postmodernism p. 204 Gordon Matta-Clark p. 208 Ana Mendieta p. 211 Mario Merz p. 212 Nasreen Mohamedi p. 214 Bruce Nauman p. 218 Helio Oiticica and Neville d'Almeida p. 226 Dennis Oppenheim p. 228 Giulio Paolini p. 230 Giuseppe Penone p. 232 Adrian Piper p. 234 Sigmar Polke p. 238 Richard Prince p. 240 Statement p. 244 Incorrect p. 245 The 8-Track Photograph p. 246 The Velvet Well p. 248 Without Walls p. 249 Glossolalia p. 259 The Latest Picture p. 262 Charles Ray p. 267 Martha Rosler p. 272 Allen Ruppersberg p. 274 Edward Ruscha p. 278 Cindy Sherman p. 284 Laurie Simmons p. 290 Robert Smithson p. 294 Ger Van Elk p. 298 Jeff Wall p. 301 Andy Warhol p. 302 Robert Watts p. 310 William Wegman p. 312 James Welling p. 317 Hannah Wilke p. 321 Exhibition Checklist p. 322 Index p. 330 Lenders to the Exhibition p. 333 Reproduction Credits p. 334