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Titel och upphov Interpreting visual culture : explorations in the hermeneutics of the visual
Utgivning, distribution etc. Routledge , London : 1999
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*0018416
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*008110824s1999 e ||| ||eng||
*020 $a0415157102 :$c16.99 ; 50.00
*035 $a(Ko)9098
*084 $aDf
*084 $aIaa
*24510$aInterpreting visual culture :$bexplorations in the hermeneutics of the visual /$cedited by Ian Heywood and Barry Sandywell
*260 $aLondon :$bRoutledge ,$c1999
*300 $axviii, 260 s. :$bill.
*650 4$aKonstteori
*653 $aEstetik
*653 $aHermeneutik
*653 $aVisuell kultur
*697 $cEstetik
*697 $cKonstteori och konstestetik
*7001 $aHeywood, Ian
*7001 $aSandywell, Barry
*7001 $4aut
*8520 $cKONST - Iaa
*950 $aAesthetics
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Interpreting Visual Culture brings together original writings from leading experts in art history, philosophy, sociology and cultural studies. Ranging from an analysis of the role of vision in current critical discourse to discussion of specific examples taken from the visual arts, ethics and sociology, it presents the latest material on the interpretation of the visual in modern culture. Among topics covered are: * the visual rhetoric of modernity * the drawings of Bonnard * recent feminist art * practices and perception in arts and ethics.
List of illustrations p. vii List of contributors p. viii Introduction: explorations in the hermeneutics of vision p. ix Rethinking the visual in contemporary theory p. 1 The hermeneutics of seeing p. 3 Specular grammar: the visual rhetoric of modernity p. 30 Bakhtin and the metaphorics of perception p. 57 Durkheim's double vision p. 74 Rethinking the visual in art: the challenge to contemporary theorizing p. 97 Readers of the lost art: visuality and particularity in art criticism p. 99 Seeing becoming drawing: the interplay of eyes, hands and surfaces in the drawings of Pierre Bonnard p. 123 The 'real realm': value and values in recent feminist art p. 143 The denigration of vision and the renewal of painting p. 162 Towards an ethics of the visual p. 183 My philosophical project and the empty jug p. 185 'Ever more specific': practices and perception in art and ethics p. 198 Aporia of the sensible: art, objecthood and anthropomorphism p. 218 The original project p. 238 Select bibliography p. 251 Index p. 258