Konstfacks bibliotek

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*020  $a9781032336398$q(paperback)
*020  $a1032336390$q(paperback)
*020  $z9781138585584
*020  $q(hardcover)$z9781138585584
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*08204$a001.30285$223/eng/20230216$qOCoLC
*084  $aBfah$2kssb/8 (machine generated)
*24514$aThe Routledge companion to digital humanities and art history /$cedited by Kathryn Brown.
*24610$aDigital humanities and art history
*264 1$aAbingdon, Oxon ;$aNew York, NY :$bRoutledge, Taylor & Francis Group,$c2022
*264 4$c©2020
*300  $axxv, 498 pages$billustrations, maps$c25 cm.
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*4901 $aRoutledge companions
*504  $aIncludes bibliographical references and index.
*5058 $gPart I: Histories and critical debates --$tDigital methods and the historiography of art /$rPaul B. Jaskot --$tBlind spot: Information visualization and art history /$rJohanna Drucker --$tThe digital transformation of art history /$rHarald Klinke --$tFeminist digital art history /$rKathryn Brown and Elspeth Mitchell --$tSlow digital art history and KUbism: Or, situation awareness and the promise of open-world games /$rKoenraad Brosens, Bruno Cardoso, and Fred Truyen -
*5058 $gPart II: Archives, networks, and maps --$tTangled metaphors: network thinking and network analysis in the history of art /$rMatthew D. Lincoln --$tDigital humanities for a spatial, global, and social history of art /$rBéatrice Joyeux-Prunel --$tMapping paintings, or how to breathe life into provenance /$rJodi Cranston --$tQualitative approaches to network analysis in art history: Research on contemporary artists' networks /$rSanja Sekelj --$tMapping Senufo: Mapping as a method to transcend colonial assumptions /$rSusan Elizabeth Gagliardi --$tX-reception: Re-mediating Trans- feminist and queer performance art /$rT.L. Cowan --$tDigital methods and the study of the art market /$rPamela Fletcher and Anne Helmreich --$tNoise management in the archival ecosystem: Debating principles for classification /$rAnna Dot and Pablo Santa Olalla -
*5058 $gPart III: Museums: Real, virtual, and augmented --$tDigital imaging projects for Asian art and visual culture: Transcultural mediations and collaborations /$rKatherine R. Tsiang --$tA field guide to digital surrogates: Evaluating and contextualizing a rapidly changing resource /$rEmma Stanford --$tA service-orientation and open-source approach to developing virtual museums /$rMartin White and Ben Jackson --$tArt history, heritage games, and virtual reality /$rErik Champion and Anna Foka --$tArt with a lifespan: Digital technologies and the preservation of bioart /$rChristl Baur --$tThe expanding role of digitized collections: The Medici archive /$rAlessio Assonitis --$tDigital languages for art history: Audience engagement, virtual and augmented reality /$rStefania De Vincentis and Luca Nicolò Vascon -
*5058 $gPart IV: Computational techniques for analyzing artworks --$tCuration, content, creation: Computer approaches to the fine arts /$rJavier de la Rosa and Juan-Luis Suárez --$tComputerized analysis of paintings /$rJames Z. Wang, Baris Kandemir, and Jia Li --$tDigital 3D modeling for the history of art /$rAmy Jeffs --$tMetadata, material culture, and global art history /$rRobert Wellington --$tImage processing and computer vision in the field of art history /$rNuria Rodríguez-Ortega --$tPointers and proxies: Thoughts on the computational modeling of the phenomenal world /$rAlison Langmead and David Newbury --$tApproaching Aby Warburg and digital art history: Thinking through images /$rAmanda Du Preez - Analyzing gesture in digital art history /
*5058 $gPart V: Digital resources, publication, and education --$tThe Database of Modern Exhibitions (DoME): European paintings and drawings 1905-1915 /$rChristina Bartosch, Nirmalie Mulloli, Daniel Burckhardt, Marei Döhring, Walid Ahmad, and Raphael Rosenberg --$tThe art-historical catalogue in the digital era /$rAnne Collins Goodyear --$tDigital provenance, open access, and data-driven art history /$rAnne Luther --$tResearch, process, publication, and pedagogy: reconstructing the World's Columbian Exposition of 1893 /$rLisa M. Snyder --$tSocial media in the art history classroom /$rLauren Jimerson and Allison Leigh.
*520  $a"The Routledge Companion to Digital Humanities and Art History offers a broad survey of cutting-edge intersections between digital technologies and the study of art history, museum practices, and cultural heritage. The volume focuses not only on new computational tools that have been developed for the study of artworks and their histories, but also debates the disciplinary opportunities and challenges that have emerged in response to the use of digital resources and methodologies. Chapters cover a wide range of technical and conceptual themes that define the current state of the field and outline strategies for future development. This book offers a timely perspective on trans-disciplinary developments that are reshaping art historical research, conservation, and teaching. This book will be of interest to scholars in art history, historical theory, method and historiography, and research methods in education"--$cProvided by publisher.
*650 0$aDigital humanities.
*650 0$aArt$xHistoriography$xData processing.
*650 6$aSciences humaines numériques.
*650 6$aArt$xHistoriographie$xInformatique.
*650 7$adigital humanities.$2aat
*650 7$aDigital humanities$2fast
*650 7$aArt$xHistoriography$xData processing$2fast
*7001 $aBrown, Kathryn$q(Kathryn J.)$4edt
*830 0$aRoutledge companions
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^

• List of Figuresp. ix
• List of Tablesp. xiv
• List of Contributorsp. xv
• Introductionp. 1
• Histories and Critical Debatesp. 7
• Digital Methods and the Historiography of Artp. 9
• Blind Spot: Information Visualization and Art Historyp. 18
• The Digital Transformation of Art Historyp. 32
• Feminist Digital Art Historyp. 43
• Slow Digital Art History and KUbism: Or, Situation Awareness and the Promise of Open-World Gamesp. 58
• Archives, Networks, and Mapsp. 71
• Tangled Metaphors: Network Thinking and Network Analysis in the History of Artp. 73
• Digital Humanities for a Spatial, Global, and Social History of Artp. 88
• Mapping Paintings, or How to Breathe Life Into Provenancep. 109
• Qualitative Approaches to Network Analysis in Art History: Research on Contemporary Artists' Networksp. 120
• Mapping Senufo: Mapping as a Method to Transcend Colonial Assumptionsp. 135
• X-Reception: Re-mediating Trans- Feminist and Queer Performance Artp. 155
• Digital Methods and the Study of the Art Marketp. 167
• Noise Management in the Archival Ecosystem: Debating Principles for Classificationp. 178
• Museums: Real, Virtual, and Augmentedp. 189
• Digital Imaging Projects for Asian Art and Visual Culture: Transcultural Mediations and Collaborationsp. 191
• A Field Guide to Digital Surrogates: Evaluating and Contextualizing a Rapidly Changing Resourcep. 203
• A Service-Orientation and Open-Source Approach to Developing Virtual Museumsp. 215
• Art History, Heritage Games, and Virtual Realityp. 238
• Art With a Lifespan: Digital Technologies and the Preservation of BioArtp. 254
• The Expanding Role of Digitized Collections: The Medici Archivep. 266
• Digital Languages for Art History: Audience Engagement, Virtual and Augmented Realityp. 275
• Computational Techniques for Analyzing Artworksp. 287
• Curation, Content, Creation: Computer Approaches to the Fine Artsp. 289
• Computerized Analysis of Paintingsp. 299
• Digital 3D Modeling for the History of Artp. 313
• Metadata, Material Culture, and Global Art Historyp. 326
• Image Processing and Computer Vis ion in the Field of Art Historyp. 338
• Pointers and Proxies:Thoughts on the Computational Modeling of the Phenomenal Worldp. 358
• Approaching Aby Warburg and Digital Art History: Thinking Through Imagesp. 374
• Analyzing Gesture in Digital Art Historyp. 386
• Digital Techniques for the Study of Portuguese Azulejos (Glazed Tiles): Between Alice's White Rabbit and the Mad Tea Partyp. 408
• Digital Resources, Publication, and Educationp. 421
• The Database of Modern Exhibitions (DoME): European Paintings and Drawings 1905-1915p. 423
• The Art-Historical Catalogue in the Digital Erap. 435
• Digital Provenance, Open Access, and Data-Driven Art Historyp. 448
• Research, Process, Publication, and Pedagogy: Reconstructing the World's Columbian Exposition of 1893p. 459
• Social Media in the Art History Classroomp. 480
• Indexp. 495