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Titel och upphov The Oxford handbook of hip hop dance studies
Varianttitel Handbook of hip hop dance studies Hip hop dance studies
Utgivning, distribution etc. Oxford University Press, New York : 2022
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xiv, 575 pages illustrations 26 cm
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
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Engaging with a broad range of research and performance genres, The Oxford Handbook of Hip Hop Dance Studies offers the most comprehensive research on Hip Hop dance to date. Filling a lacuna in both Hip Hop and dance studies, the Handbook places practitioners' voices at the forefront and in dialogue with theoretical insights, rooted in critical race theory, anticolonialism, intersectional feminism, and more. Volume editors Mary Fogarty and Imani Kai Johnson have included influential dancers and scholars from around the world: from B-Boys Ken Swift, YNOT, and Storm, to practitioners of locking, waacking and House dance styles such as E. Moncell Durden, Terry Bright Kweku Ofosu, Fly Lady Di, and Leah McFly, and innovative academic work on Hip Hop dance by the most prominent researchers in the field. Throughout the Handbook contributors address individual and social histories of dance, Afrodiasporic and global lineages, the contribution of B-Girls from Honey Rockwell to Rokafella, the "studio-fication" of Hip Hop styles, and moves into theatre, TV, and the digital/social media space.
Acknowledgments ix List of Contributors xi Introduction 1 Hip Hop Dance Legacies and Traditions Foundation: Context and Components of Breaking Fundamentals 13 The Camera in the Cypher: High Times and Hypervisibility in Early Hip Hop Dance 32 The Technical Developments in Breaking from Conditioning to Mindset 58 Connecting Hip Hop History and Heritage 80 Kung Fu Fandom: B-Boys and the Grindhouse Distribution of Kung Fu Films 97 What Makes a Man Break? 116 Hip Hop Dance Methodologies Learn Your History: Using Academic Oral Histories of NYC B-Girls in the 1990s to Broaden Hip Hop Scholarship 131 Hard Love Part 1: Corporealities of Women Ethnographers of Hip Hop Dances 149 Framing Hip Hop Dance as an Object of Sociological and Cultural Research 171 Through Sound and Space: Notes on Education from the Edge of the Cypher 188 The Vault: Collecting and Archiving Streetdance Footage 204 Critical Hiphopography in Streetdance Communities (Hard Love Part 2) 217 Outstanding Identities in Hip Hop Streetdance Practices Breaking in My House: Popular Dance, Gender Identities, and Postracial Empathies 243 Globalization and the Hip Hop Dance Cipher 260 Asian American Liminality: Racial Triangulation in Hip Hop Dance 280 Breakin' Down the Bloc: Hip Hop Dance in Armenia 292 Twerking and P-Popping in the Context of the New Orleans Local Hip Hop Scene 308 Is She B-Boying or B-Girling? Understanding how B-Girls Negotiate Gender and Belonging 326 Breaking with Convention Streetdance and Black Aesthetics 347 Living in the Tension: The Aesthetics and Logics of Popping 365 Staging Hip Hop Dance: Fly Girls in the House 384 Battles and Ballets: Hip Hop Dance in France 408 Negotiating the Metaspace: Hip Hop Dance Artists in the Space of UK Dance Theatre 430 Make the Letters Dance: A Hip Hop Approach to Creative Practice 457 Hip Hop Health: Injury, Healing, and Rehabilitation Hip Hop Dance and Injury Prevention 477 They Come for the Hip Hop but Stay for the Healing 497 Can Expert Dancers Be a Springboard Model to Examine Neurorehabilitation via Dance? 516 Afterword: Dance, Hip Hop Studies, and the Academy 534 Index 559