Konstfacks bibliotek

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*020  $a9781910433225$q(paperback)
*020  $a1910433225$q(paperback)
*035  $a(OCoLC)ocn891618610
*035  $a(SE-LIBR)zf9ngqs0wv9bz4d6
*041  $aeng
*050 4$aN8217.H5
*050 4$aNX650.S47
*050 4$aBD214
*08204$a700.9/05$223
*084  $aI$2kssb/8 (machine generated)
*1001 $aSchwartzman, Madeline$4aut
*24510$aSee yourself X :$bhuman futures expanded /$cMadeline Schwartzman.
*264 1$aLondon, United Kingdom :$bBlack Dog Press Limited,$c[2018]
*264 4$c©2018
*300  $a190 pages$billustrations (chiefly color)$c28 cm
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*504  $aIncludes bibliographical references.
*5058 $aIntroduction. Kahn & Selesnick ; Madeline Schwartzman -- Extended. Winnie Truong ; Bob Recine ; Samuel G. Altschuler ; Rebecca Drolen ; Bernhard Gillam ; Grant Yoshino ; Danielle Papuli ; Olaf Martens ; Margo Selski ; Rebecca Drolen ; Jayoung Yoon ; Matthias Darly ; Hyuna Shin ; Joanne Petit-Frère ; Nikoline Liv Andersen ; Susanne Stemmer ; Winnie Troung ; Bob Recine ; Carson Fox ; Marie Drouet -- Analyzed. Laurent Millet ; Mulley ; M. Nutting ; Udo Keppler ; Christophe Coppens ; A. M. Bouton ; Henry Robinson ; Davide Tremolada ; Dukno Yoon ; Annegret Soltau ; Laurent Millet ; Telepathy ; Langdon Graves ; Ani Liu ; Mustafa Faruki ; Jonathan Rosen ; Nobumichi Asai ; Lisa Park ; Berlin Brain-Computre Interface ; Katharine Dowson ; Annie Cattrall ; Matthew Plummer-Fernandez ; Sterling Crispin -- Clad. Lauren Kalman ; Patrick Ian Hartley ; Chrystl Rijkeboer ; Lauren Kalman ; Julien Palmilha ; Patrick Ian Hartley ; Atelier XJC ; kawamura-ganavian ; Gijs Bakker ; C.J. Yao ; Dinu Bodiciu ; Nicolas Petisoff ; Noara Fok ; Darek Gutowski ; Bertjan Pot ; Lorenzo Nanni ; Roberto Kusterle ; Kahn & Selesnick ; Muriel Nisse ; Gladys Paulus ; Tracy Widdess ; Rachel Timmins ; Pyuupiru ; Chrystl Rijkeboer -- Transformed. Tania Blanco ; Percy Lau ; Xooang Choi ; Dorry Hsu ; Ana Rajcevic ; Shai Langen ; Michael Burton & Michiko Nitta ; Jan Manski ; Dunne & Raby ; Clarina Bezzola ; Fantich & Young ; Christophe Coppens ; Yumeng Wang ; Studio Peripetie ; Lisa Park ; Can Pekdemir ; Aganetha Dyck ; Betsy Younquist ; Christine Chin ; Roberto Kusterle ; Ronit Baraga ; Tania Blanco ; Lee Griggs -- Obliterated. William Cobbing ; Jennifer B. Thoreson ; Erwin Wum ; Julien Palmilha ; Erwin Wurm ; Femke Agema ; William Cobbing ; Alex Kisilevich ; Jennifer B. Thoreson ; Kahn & Selesnick ; Christophe Coppens ; Ruth Marten ; Jake Stollery ; Freddie Robins ; Zaven Paré ; Louis-Philippe Demers ; Lorenzo Oggiano -- Students X. Alex Porter ; Keenan Korth ; Doreen Lam ; Claire Kuang ; Tanya Gershon ; Christianne Dawis ; Caroline Lukins ; Jean Kim ; Naiky Paradis ; Adam Sherman ; Ryan Johns ; Cassandra Nozil ; Lauren Micir ; Stephan Davan ; Louisa Volava ; Jackie Koenig ; Emily Glass.
*520  $a"See Yourself X: Human Futures Expanded is the second volume of Madeline Schwartzman's timely series that looks at human perception and sensory apparatus. See Yourself Sensing: Redefining Human Perception, 2011, the first of the series, is a collection of 50 years of futuristic proposals for the body and the senses. See Yourself X focuses on the fundamental domain of our perception--the human head. The publication presents an array of conceptual and constructed ideas of how we might physically extend the head, the mind, the brain or our consciousness into space. What is the future of the human head? What will happen to our sensory apparatus in 50 years, when the mechanisms for how we communicate and sense our surroundings become obsolete, prompted by the advancement of sensors that will enable brain-to-brain communication? Everyone with a head should be interested in this book. See Yourself X had inauspicious origins. In March 2012, while she was on the way to a talk for See Yourself Sensing, Schwartzman's aeroplane crashed into a bus. As it landed in Detroit, the wing of the Delta MD-80 knocked over a shuttle bus at over 120 miles per hour. Luckily, no one was hurt. But it did spark an investigation: do pilots feel the width of their wings? If so, this would mean that the human head could effectively become 150 feet wide. This was the catalyst for See Yourself X: to look across art practices and contemporary culture, at all ways of extending the head into space, and to move headlong into the future."--$cProvided by publisher.
*650 0$aHead in art.
*650 0$aHead.
*650 0$aPerception.
*650 0$aAugmented reality.
*650 0$aArt and science.
*650 2$aHead
*650 2$aPerception
*650 6$aTête dans l'art.
*650 6$aTête.
*650 6$aPerception.
*650 6$aRéalité augmentée.
*650 6$aArt et sciences.
*650 7$aaugmented reality.$2aat
*650 7$a20.09 art in relation with other areas of culture: other.$2bcl
*650 7$aHead.$2fast
*650 7$aHead in art.$2fast
*650 7$aArt and science.$2fast
*650 7$aAugmented reality.$2fast
*650 7$aPerception.$2fast
*650 7$aSenses and sensation.$2fast
*650 7$aSenses and sensation in art.$2fast
*650 7$aKopf$2gnd
*7001 $aDemers, Louis-Philippe,$d1962-$4ctb
*7001 $aMartens, Olaf,$d1963-$4ctb
*7001 $aDowson, Katharine$4ctb
*852  $5Ko$bKo$cKONST -$hIbvz Förnimmelser
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^

See Yourself X: Human Futures Expanded is the second volume of Madeline Schwartzman's timely series that began with See Yourself Sensing: Redefining Human Perception (2011), a collection of fifty years of futuristic proposals for the body and the senses. See Yourself X focuses on the human head--our fundamental perceptual domain--presenting an array of conceptual and constructed ideas for extending ourselves physically and technologically into space. What will be the physical future of the head and the sensory apparatus in fifty years time? How will our mechanisms for communication change, prompted, as predicted by technologists, by the advancement of brain-to-brain communication? See Yourself X looks across disciplines and media at contemporary and historical proposals for the human head, in the hope of casting into the future.

See Yourself X explores all forms of extension of the head into space, including new organs, hair dos, masks, head constructions and gear, headdresses, prosthetics and helmets by a range of interaction designers, fashion designers, photographers, illustrators, hair artists, painters and scientists. Conceptual topics include the obliteration of the face in fashion and art; the transformation of the head using masks, prostheses, biological modification, and post-human displacement; the projection of politics, power and virility via wild extensions of the head; the translation, decoding and deployment of the brain and dismantling of the intact body, and the representation of human traits and psychology via the analysis and deciphering of facial features.

See Yourself X had inauspicious origins. In March of 2012, Schwartzman was involved in an airplane crash on the way to a book talk. The wing of her Delta MD-80 knocked over a shuttle bus at over 150 miles per hour while landing in Detroit. Luckily no one was hurt. But it did spark an investigation: do pilots feel the width of their wings--a nearly 150 foot span. This was the catalyst for See Yourself X to look across art practices and contemporary culture at all ways of extending the head into space, and to move headlong into the future. See Yourself Sensing has been used widely at design institutions across the world. See Yourself X , like its predecessor, will be both an exhibition in book form, and an academic book, and will include examples of Schwartzman's innovative head-centered pedagogy and student projects from design programs at Columbia University and Parsons: The New School For Design.