Hylla
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Titel och upphov New histories of art in the global postwar era : multiple modern isms
Utgivning, distribution etc. Routledge, Taylor et Francis Group, New York ; London : 2021
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xvi, 251 Seiten Illustrationen
Anmärkning: Innehållsbeskrivning, sammanfattning Crossings and encounters : retracing art ists' itineraries -- Against the norm : decentering and resisting the canon -- Collecting modern isms-exibiting modern isms. "This book maps key moments in the history of post-war art from a global perspective. The reader is introduced to a new globally oriented approach to art , art ists, museum s, and movements of the postwar era (1945-1970). Specifically, this book bridges the gap between historical art istic centres, such as Paris and New York, and peripheral loci. Through case studies, previously unknown networks, circulations, divides and controversies are brought to light. From the development of Ethiopian modern ism, to the showcase of Brazilian modern ity, this book provides readers with a new set of coordinates and a reassessment of well-trodden art historical narratives around modern ism. This book will be of interest to scholars in art historiography, art history, exhibition and curatorial studies, modern art and globalization"--.
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Institutionsnamn
Annat medium Erscheint auch als: ISBN 978-0-367-14085-4
Elektronisk adress och åtkomst (URI) http://swbplus.bsz-bw.de/bsz1737237830inh.htm
ISBN 9780367140847 0367140845 9780367721541 0367721546
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This book maps key moments in the history of postwar art from a global perspective.
The reader is introduced to a new globally oriented approach to art, artists, museums and movements of the postwar era (1945-70). Specifically, this book bridges the gap between historical artistic centers, such as Paris and New York, and peripheral loci. Through case studies, previously unknown networks, circulations, divides and controversies are brought to light. From the development of Ethiopian modernism, to the showcase of Brazilian modernity, this book provides readers with a new set of coordinates and a reassessment of well-trodden art historical narratives around modernism.
This book will be of interest to scholars in art historiography, art history, exhibition and curatorial studies, modern art and globalization.