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Titel och upphov Making it modern : essay s on the art of the now
Utgivning, distribution etc. Thames & Hudson, London : 2022
©2022
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Fysisk beskrivning 448 pages illustrations (some color) 25 cm
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 438-440) and index.
Anmärkning: Innehållsbeskrivning, sammanfattning This illustrated, edited collection of essay s brings together for the first time some of the pioneering art historian Linda Nochlin's most important writings on modernism and modernity from across her six-decade career. Before the publication of her seminal tract on feminism in art, 'Why Have There Been No Great Women Artists?', Nochlin had already firmly established herself as a major practitioner of a politically sophisticated and class-conscious social art history, with her writings on modernism being transformative to the discipline. Nochlin embraced Charles Baudelaire's conviction that modernity meant to be of one's time - and that the role of an art historian was to understand the art of the past not only in its own historical context, but according to the urgencies of the contemporary world. From academic debates about the nude in the 18th century to the work of Robert Gober in the 21st, whatever she turned her analytic eye to was very much conceived as the art of the now - the art we need to look at to navigate the complexities and contradictions of the present.
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A selection of key essays by one of the most influential voices in art history, including seven previously unpublished pieces. This illustrated, edited collection of essays brings together for the first time some of the pioneering art historian Linda Nochlin's most important writings on modernism and modernity from across her six-decade career. Before the publication of her seminal tract on feminism in art, 'Why Have There Been No Great Women Artists?', Nochlin had already firmly established herself as a major practitioner of a politically sophisticated and class-conscious social art history, with her writings on modernism being transformative to the discipline. Nochlin embraced Charles Baudelaire's conviction that modernity meant to be of one's time - and that the role of an art historian was to understand the art of the past not only in its own historical context, but according to the urgencies of the contemporary world. From academic debates about the nude in the 18th century to the work of Robert Gober in the 21st, whatever she turned her analytic eye to was very much conceived as the art of the now - the art we need to look at to navigate the complexities and contradictions of the present.
Acknowledgments p. 7 How Linda Nochlin Made it Modern p. 8 Revolutions in Art and History 1848: The Revolution in Art History p. 18 Meyer Schapiro's Modernism p. 29 Courbet, David, and the Imaginative Afterlife of the French Revolution p. 36 Bodies of Modernity Pissarro, Cézanne, and the Eternal Feminine p. 47 Renoir's Men: Constructing the Myth of the Natural p. 60 Body Politics: Seurat's Poseuses p. 67 Camille Corot: The Nude without Qualities p. 81 Abstracting the Body Bonnard's Bathers p. 90 The World According to Gober p. 103 "Sex is so Abstract": The Nudes of Andy Warhol p. 115 Othering Art History Sex and the "Sepoy Mutiny": The Intersection of Race and Gender in the Colonial Imaginary p. 125 Learning from Black Male p. 134 The Imaginary Orient p. 140 Abstraction and Realism Kelly: Making Abstraction Anew p. 160 The Realist Criminal and the Abstract Law p. 175 The New Realists p. 199 Picasso's Color: Schemes and Gambits p. 207 Museums and Vision Museums and Radicals: A History of Emergencies p. 239 The Museum as Bildungsroman: My Life in Art, Trash, and Fashion p. 261 Matisse and its Other p. 273 The Naked and the Dread: Reviewing the Modern Nude p. 286 Genre and Form Impressionist Portraits and the Construction of Modern Identity p. 296 Francis Bacon and the Fear of Narrative p. 325 Academic Art and the Death of Narrative p. 332 Camille Pissarro: The Unassuming Eye p. 346 Death and Gender in Manet's Still Lifes p. 357 Art as/and Work The Paterson Strike Pageant of 1913 p. 368 Van Gogh, Renouard, and the Weavers' Crisis in Lyons p. 377 Seurat's Grande Jatte: An Anti-Utopian Allegory p. 396 The Cribleuses de He: Courbet, Millet, Breton, Kollwitz, and the Image of the Working Woman p. 415 Further Reading p. 438 Picture Credits p. 440 Text Sources and Credits p. 442 Index p. 444