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Titel och upphov Between the material and the possible : infrastructural re-examination and speculation in art
Utgivning, distribution etc. 2022
Sternberg Press ; Edith-Russ-Haus. London : Oldenburg :
copyright 2022
Utgivningsår
Fysisk beskrivning 307 pages illustrations en noir et en couleur. 23 cm.
Anmärkning: Bibliografi etc.
Anmärkning: Innehållsbeskrivning, sammanfattning Forming a comprehensive picture of the multiple processes, regulations, institutions, technologies, networks, and operations that we have come to understand as the distributed infrastructural arena in which we act, yield, and plot is a perennial challenge. Over the past decade, a growing number of artists, theorists, curators, and researchers have moved from “institutional critique” to “infrastructural critique,” or toward “infrastructural speculation,” in which they explore the potential of creative infrastructure-related visions and scenarios. In attempts to counter the impasse of “the cancelled future,” art has immersed itself in systemic critiques and propositional thinking, addressing major challenges, such as the rampant financialization of the economy and runaway climate change.From questions around space settlements to the possibility of repurposing blockchain infrastructures and financial instruments for redistributive purposes, and from the diagrammatic potential of infrastructural thinking in artistic practices to scenario planning and economic strategizing, this collection of new essays brings together critical analysis from a broad group of contributors engaged in the revisioning of our infrastructural futures. Their interrogations span local and global relationalities, historical and political legacies, as well as future-oriented infrastructural hypotheses.
Anmärkning: Utgivande institution (för fortlöpande resurser) Contributions de Nancy Adajania, Sabeth Buchmann, Tom Clark, Cassandra Collective, Vermeir & Heiremans, Václav Janoščík, Bogna Konior, Aude Launay, João Enxuto et Erica Love, Bahar Noorizadeh, Matthew Poole, Ghalya Saadawi, Adham Selim, Nishant Shah, Ilan Manouach et Marina Vishmidt, Tirdad Zolghadr, Natalia Zuluaga ; conversation entre Diakron (David Hilmer Rex et Aslak Aamot Helm) et Adam Marblestone.
Term
ISBN
Antal i kö:
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*504 $aNotes bibliographiques.
*520 $aForming a comprehensive picture of the multiple processes, regulations, institutions, technologies, networks, and operations that we have come to understand as the distributed infrastructural arena in which we act, yield, and plot is a perennial challenge. Over the past decade, a growing number of artists, theorists, curators, and researchers have moved from “institutional critique” to “infrastructural critique,” or toward “infrastructural speculation,” in which they explore the potential of creative infrastructure-related visions and scenarios. In attempts to counter the impasse of “the cancelled future,” art has immersed itself in systemic critiques and propositional thinking, addressing major challenges, such as the rampant financialization of the economy and runaway climate change.From questions around space settlements to the possibility of repurposing blockchain infrastructures and financial instruments for redistributive purposes, and from the diagrammatic potential of infrastructural thinking in artistic practices to scenario planning and economic strategizing, this collection of new essays brings together critical analysis from a broad group of contributors engaged in the revisioning of our infrastructural futures. Their interrogations span local and global relationalities, historical and political legacies, as well as future-oriented infrastructural hypotheses.
*550 $aContributions de Nancy Adajania, Sabeth Buchmann, Tom Clark, Cassandra Collective, Vermeir & Heiremans, Václav Janoščík, Bogna Konior, Aude Launay, João Enxuto et Erica Love, Bahar Noorizadeh, Matthew Poole, Ghalya Saadawi, Adham Selim, Nishant Shah, Ilan Manouach et Marina Vishmidt, Tirdad Zolghadr, Natalia Zuluaga ; conversation entre Diakron (David Hilmer Rex et Aslak Aamot Helm) et Adam Marblestone.
*650 7$aEsprit critique$xDans l'art.$2ram
*852 $5Ko$bKo$cKONST -$hIaa
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^
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The revisioning of our infrastructural futures, local and global relationalities, and historical and political legacies. Forming a comprehensive picture of the multiple processes, regulations, institutions, technologies, networks, and operations that we have come to understand as the distributed infrastructural arena in which we act, yield, and plot is a perennial challenge. Over the past decade, a growing number of artists, theorists, curators, and researchers have moved from "institutional critique" to "infrastructural critique," or toward "infrastructural speculation," in which they explore the potential of creative infrastructure-related visions and scenarios. In attempts to counter the impasse of "the cancelled future," art has immersed itself in systemic critiques and propositional thinking, addressing major challenges, such as the rampant financialization of the economy and runaway climate change. From questions around space settlements to the possibility of repurposing blockchain infrastructures and financial instruments for redistributive purposes, and from the diagrammatic potential of infrastructural thinking in artistic practices to scenario planning and economic strategizing, this collection of new essays brings together critical analysis from a broad group of contributors engaged in the revisioning of our infrastructural futures. Their interrogations span local and global relationalities, historical and political legacies, as well as future-oriented infrastructural hypotheses.
Prelude Deep Learning Infrastructural Critique p. 9 Infrastructural Critique Introduction: Infrapolitics after Infrastructure Space p. 29 Infrastructure as Diagrammatic Disposition: Fareed Armaly's From/To (1999/2002) Revisited p. 35 Infrastructure, Ideology, Hegemony p. 51 Vapid Virtues, Real Stakes: Diagnosis for Left Art Protocols p. 71 Disarticulating Infrastructures: Toward Touchstones for Infrastructural Inquiries p. 95 Redistributions p. 109 Infrastructural Speculation The Currency of Contemporary Art p. 117 Mystical Habitats: Art after Earth and Outer-Space Settlements p. 137 What Can the Arts Sector Learn from Structural Diversification of Science and Technology Development? A Conversation p. 149 Point and Pivot p. 167 A Modest Proposal for Preventing Artists from Becoming a Burden to Society, and Making Finance Beneficial to Both Artists and the Public p. 185 From the Automation of Relations to the Amplification of Communities: The Rise of DAOs p. 197 Infrahauntologies: On Invasive Legacies and Futures Affordances: Degrees of Freedom Wrested from Phantom Narratives p. 213 Abstraction, Abjection, Affectivity: Ontological Horizons of Contemporary Art p. 231 Cybernetic Pasts, Financial Futures: The Calculation of the Unknown p. 245 How To Break Free from the Ghosts of the Future? Cassandra Collective p. 263 Architecture Is Obsolete: Financialization Nostalgia and Real Estate Power p. 275 Restaging Infrastructural Images That Make the World: Reconfiguring Scale p. 283 End Matter Contributors p. 299 Editor's Acknowledgments p. 307