Hylla TIDSKRIFTER - Happy Hypocrite
Titel och upphov
Utgivning, distribution etc. Book Works, London : 2021
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
Serietitel - ej biuppslagsform
Nummer i serie
Seriebiuppslag under titel
Anmärkning: Innehållsbeskrivning, sammanfattning I stole The Happy Hypocrit's title. Welcome to Without Reduction, the twelfth and final issue of The Happy Hypocrite . I also stole the theme of this issue. From a book I saw in a used bookstore in New Haven, propped up beside a copy of HH issue 1. That book was Quantum Theory Without Reduction edited by Marcello Cini and Jean-Marc Lévy-Leblond. I've chosen my editorial methodology, Without Reduction, because I'm greedy? This issue has more contributions than ever before. [?] Can I say with certainty I now have a stable definition of the term experimental art writing? Well can I? No, I cannot. HH has consistently resisted such a demand to anthologise. HH is a symptom." - Maria Fusco The Happy Hypocrite is a biannual journal led by artists' writings. Informed by a lineage of modern experimental and avant-garde magazines, such as: Bananas, Documents, The Fox, Merlin and Tracks, this journal aspires to unpack the methodology of such key journals, whilst providing a brand new approach to art writing. It will provide a greatly needed testing ground for new writing and research-based projects, somewhere for artists, writers and theorists to express experimental ideas that might not otherwise be realised or published.
ISBN
Antal i kö:
*000 nas a 3 4500
*00152973
*00520220506115810.0
*008220506s2021 xxk|||||||||||000 0|eng|d
*020 $a1912570106
*020 $a9781912570102
*035 $a(OCoLC)on1263266621
*035 $a(SE-LIBR)3jjwln9n1g2422tx
*041 $aeng
*08204$a810/820
*24510$aWithout reduction.$n12 /$ceditor Maria Fusco.
*264 1$aLondon :$bBook Works,$c2021
*4901 $aHappy hypocrite ;$v12
*5208 $aI stole The Happy Hypocrit's title. Welcome to Without Reduction, the twelfth and final issue of The Happy Hypocrite . I also stole the theme of this issue. From a book I saw in a used bookstore in New Haven, propped up beside a copy of HH issue 1. That book was Quantum Theory Without Reduction edited by Marcello Cini and Jean-Marc Lévy-Leblond. I've chosen my editorial methodology, Without Reduction, because I'm greedy? This issue has more contributions than ever before. [?] Can I say with certainty I now have a stable definition of the term experimental art writing? Well can I? No, I cannot. HH has consistently resisted such a demand to anthologise. HH is a symptom." - Maria Fusco The Happy Hypocrite is a biannual journal led by artists' writings. Informed by a lineage of modern experimental and avant-garde magazines, such as: Bananas, Documents, The Fox, Merlin and Tracks, this journal aspires to unpack the methodology of such key journals, whilst providing a brand new approach to art writing. It will provide a greatly needed testing ground for new writing and research-based projects, somewhere for artists, writers and theorists to express experimental ideas that might not otherwise be realised or published.
*7001 $aFusco, Maria$4edt
*7600 $tThe happy hypocrite $w26249$x1755-473X
*830 0$aHappy hypocrite ;$v12
*852 $cTIDSKRIFTER - Happy Hypocrite
*887 $a{"@id":"3jjwln9n1g2422tx","modified":"2022-05-06T11:58:10.81+02:00"}$2librisxl
^
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I stole The Happy Hypocrits title. Welcome to Without Reduction, the twelfth and final issue of The Happy Hypocrite. I also stole the theme of this issue. From a book I saw in a used bookstore in New Haven, propped up beside a copy of HH issue 1. That book was Quantum Theory Without Reduction edited by Marcello Cini and Jean-Marc Lévy-Leblond. Ive chosen my editorial methodology, Without Reduction, because Im greedy? This issue has more contributions than ever before. [?] Can I say with certainty I now have a stable definition of the term experimental art writing? Well can I? No, I cannot. HH has consistently resisted such a demand to anthologise. HH is a symptom." - Maria Fusco The Happy Hypocrite is a biannual journal led by artists writings. Informed by a lineage of modern experimental and avant-garde magazines, such as: Bananas, Documents, The Fox, Merlin and Tracks, this journal aspires to unpack the methodology of such key journals, whilst providing a brand new approach to art writing. It will provide a greatly needed testing ground for new writing and research-based projects, somewhere for artists, writers and theorists to express experimental ideas that might not otherwise be realised or published.