Hylla
Personnamn
Titel och upphov Choreography, visual art and experimental composition 1950s -1970s
Utgivning, distribution etc. Routledge, New York : 2022
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Upplaga
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning "This book traces the history of engagements between dance and the visual arts in the mid-twentieth century, and provides a backdrop for the emerging field of contemporary, intermedial art practice. Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance - breath, weight, tone, energy - informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture, and enables the re-imagination of current art practices through the use of choreographic tools. This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art"-- Provided by publisher.
Kronologisk term
Term
Annat medium Online version: Brannigan, Erin. Choreography, visual art and experimental composition 1950s-1970s. New York : Routledge, 2022 ISBN 9781003253556
ISBN 9781032182452 1032182458 9781032182407 1032182407
Antal i kö:
*000 cam a 7i 4500
*00152824
*00520220429134958.0
*008220429t20222022nyu||||||b||||001 0|eng|
*020 $a9781032182452$q(Hardback)
*020 $a1032182458
*020 $a9781032182407$q(Paperback)
*020 $a1032182407
*020 $z9781003253556
*020 $z9781000563733 (ePub ebook)
*020 $z9781000563726 (PDF ebook)
*020 $q(eBook)$z9781003253556$z9781000563733 (ePub ebook)$z9781000563726 (PDF ebook)
*035 $a(OCoLC)on1274200274
*035 $a(SE-LIBR)n33mktzslw3x7qhr
*041 $aeng
*050 0$aGV1588.3
*08200$a792.8/2090904$223/eng/20220201
*084 $aIky$2kssb/8 (machine generated)
*1001 $aBrannigan, Erin$4aut
*24510$aChoreography, visual art and experimental composition 1950s -1970s /$cErin Brannigan.
*250 $aFirst Edition.
*263 $a2204
*264 1$aNew York :$bRoutledge,$c2022
*300 $axii, 238 ; 24 cm
*336 $atext$btxt$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*504 $aIncludes bibliographical references and index.
*520 $a"This book traces the history of engagements between dance and the visual arts in the mid-twentieth century, and provides a backdrop for the emerging field of contemporary, intermedial art practice. Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance - breath, weight, tone, energy - informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture, and enables the re-imagination of current art practices through the use of choreographic tools. This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art"--$cProvided by publisher.
*648 7$a1900-1999$2fast
*650 0$aArt and dance.
*650 0$aChoreography$xHistory$y20th century.
*650 0$aArts, Modern$y20th century.
*650 6$aArt et danse.
*650 6$aChorégraphie$xHistoire$y20e siècle.
*650 6$aArts$y20e siècle.
*650 7$aArt and dance.$2fast
*650 7$aArts, Modern.$2fast
*650 7$aChoreography.$2fast
*655 7$aHistory.$2fast
*77608$iOnline version:$aBrannigan, Erin.$tChoreography, visual art and experimental composition 1950s-1970s.$dNew York : Routledge, 2022$z9781003253556
*852 $5Ko$bKo$cDANS -$hIky
*887 $a{"@id":"n33mktzslw3x7qhr","modified":"2022-04-29T13:49:58.469+02:00"}$2librisxl
*887 $5Ko$a{"@id":"k00jgs97hszxxp9n","modified":"2022-04-29T13:50:55.283+02:00"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
This book traces the history of engagements between dance and the visual arts in the mid-twentieth century and provides a backdrop for the emerging field of contemporary, intermedial art practice.
Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism, and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin, and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance--breath, weight, tone, energy--informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture and enables the re-imagination of current art practices through the use of choreographic tools.
This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art.
Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com