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Titel och upphov Fashion theory : a reader
Utgivning, distribution etc. Routledge, Taylor & Francis Group, London ; New York : 2020
©2020
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Fysisk beskrivning xiii, 829 pages : illustrations 25 cm
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Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll Contents -- List of figures -- List of table -- Preface to the second edition -- Introduction -- PART ONE Fashion and fashion theories -- Introduction -- 1 Explaining it Away -- 2 The Empire of Fashion: Introduction -- 3 Adorned in Zeitgeist -- 4 Haute Couture and Haute Culture -- PART TWO What fashion is and is not -- Introduction -- 5 Fashion -- 6 Art -- 7 Antifashion: The Vicissitudes of Negation -- 8 Fashion -- 9 Extract from Fashion and Anti Fashion -- PART THREE Fashion and (the) image -- Introduction -- 10 Fashion Photography -- 11 Going Beyond 'The Fashion System': A Critique -- 12 'Doing Fashion Photographs' -- 13 Introduction: Aboud Sodano and Paul Smith -- PART FOUR Sustainable fashion -- Introduction -- 14 Consumers' Perceptions of 'Green': Why and How Consumers Use Eco-Fashion and Green Beauty Products -- 15 Fashion, Needs and Consumption -- 16 Fashion and Sustainability: Repairing the Clothes we Wear -- PART FIVE Fashion as communication -- Introduction -- 17 Social Life as a Sign System -- 18 The Analysis of the Rhetorical System -- 19 Do Clothes Speak? What Makes them Fashion? -- 20 When the Meaning is not a Message: A Critique of the Consumption as Communication Thesis -- 21 "Fashion as Communication Revisited" -- PART SIX Fashion: identity and difference -- Introduction -- 22 Express Yourself: The Politics of Dressing Up -- 23 Objectifying Gender: The Stiletto Heel -- 24 'Power Dressing' and the Construction of the Career Woman -- 25 From Gay to Queer -- Or, Wasn't Fashion Always Already a Very Queer Thing? -- 26 Lesbian Style: From Mannish Women to Lipstick Dykes -- 27 Popular Fashion and Working-Class Affluence -- 28 Fashion: From Class Differentiation to Collective Selection -- 29 Great Aspirations: Hip Hop and Fashion Dress for Excess and Success -- 30 Taste and Distinction: The Politics of Style -- 31 Islamic Fashions Cape -- 32 You Should Understand, It's a Freedom Thing: The Stoned Cherrie-Steve Biko T-Shirt -- PART SEVEN Fashion, clothes and the body -- Introduction -- 33 Addressing the Body -- 34 Deviant Bodies and Suitable Clothes -- 35 "My Leg is a Giant Stiletto Heel": Fashioning the Prosthetised Body -- 36 Fashion, Clothes and the Body -- PART EIGHT Fashion: production, consumption, prosumption -- Introduction -- 37 The Crossroad Between Production and Consumption -- 38 Consuming or Living with Things? Wearing it out -- 39 Reconceptualising Prosumption Beyond the 'Cultural Turn': Passive Fashion Prosumption in Korea and China -- 40 Attentiveness, Materials, and their use: The Stories of Never Washed, Perfect Piece and My Community -- 41 The Little Black Dress is the Solution, but what is the Problem? -- PART NINE Modern fashion -- Introduction -- 42 Adorned in Dreams: Introduction -- 43 Modernism and Fashion: A Social Psychological Interpretation -- 44 Public Roles/Personality in Public -- 45 Walter Benjamin: Fashion, Modernity and the City Street.
Anmärkning: Innehållsbeskrivning, sammanfattning This thoroughly revised and updated edition of Fashion Theory: A Reader brings together and presents a wide range of essays on fashion theory that will engage and inform both the general reader and the specialist student of fashion. From apparently simple and accessible theories concerning what fashion is to seemingly more difficult or challenging theories concerning globalisation and new media, this collection contextualises different theoretical approaches to identify, analyse and explain the remarkable diversity, complexity and beauty of what we understand and experience every day as fashion and clothing. This second edition contains entirely new sections on fashion and sustainability, fashion and globalisation, fashion and digital/social media and fashion and the body/prosthesis. It also contains updated and revised sections on fashion, identity and difference, and on fashion and consumption and fashion as communication. More specifically, the section on identity and difference has been updated to include contemporary theoretical debates surrounding Islam and fashion, and LGBT+ communities and fashion and the section on consumption now includes theories of 'prosumption'. Each section has a specialist and dedicated Editor's Introduction which provides essential conceptual background, theoretical contextualisation and critical summaries of the readings in each section. Bringing together the most influential and ground breaking writers on fashion and exposing the ideas and theories behind what they say, this unique collection of extracts and essays brings to light the presuppositions involved in the things we all think and say about fashion. This second edition of Fashion Theory: A Reader is a timeless and invaluable resource for both the general reader and undergraduate students across a range of disciplines including sociology, cultural studies and fashion studies.
Anmärkning: Biografiska eller historiska uppgifter Malcolm Barnard is Senior Lecturer in Visual Culture at Loughborough University, UK.
Term
ISBN
Antal i kö:
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*5058 $aContents -- List of figures -- List of table -- Preface to the second edition -- Introduction -- PART ONE Fashion and fashion theories -- Introduction -- 1 Explaining it Away -- 2 The Empire of Fashion: Introduction -- 3 Adorned in Zeitgeist -- 4 Haute Couture and Haute Culture -- PART TWO What fashion is and is not -- Introduction -- 5 Fashion -- 6 Art -- 7 Antifashion: The Vicissitudes of Negation -- 8 Fashion -- 9 Extract from Fashion and Anti Fashion -- PART THREE Fashion and (the) image -- Introduction -- 10 Fashion Photography -- 11 Going Beyond 'The Fashion System': A Critique -- 12 'Doing Fashion Photographs' -- 13 Introduction: Aboud Sodano and Paul Smith -- PART FOUR Sustainable fashion -- Introduction -- 14 Consumers' Perceptions of 'Green': Why and How Consumers Use Eco-Fashion and Green Beauty Products -- 15 Fashion, Needs and Consumption -- 16 Fashion and Sustainability: Repairing the Clothes we Wear -- PART FIVE Fashion as communication -- Introduction -- 17 Social Life as a Sign System -- 18 The Analysis of the Rhetorical System -- 19 Do Clothes Speak? What Makes them Fashion? -- 20 When the Meaning is not a Message: A Critique of the Consumption as Communication Thesis -- 21 "Fashion as Communication Revisited" -- PART SIX Fashion: identity and difference -- Introduction -- 22 Express Yourself: The Politics of Dressing Up -- 23 Objectifying Gender: The Stiletto Heel -- 24 'Power Dressing' and the Construction of the Career Woman -- 25 From Gay to Queer -- Or, Wasn't Fashion Always Already a Very Queer Thing? -- 26 Lesbian Style: From Mannish Women to Lipstick Dykes -- 27 Popular Fashion and Working-Class Affluence -- 28 Fashion: From Class Differentiation to Collective Selection -- 29 Great Aspirations: Hip Hop and Fashion Dress for Excess and Success -- 30 Taste and Distinction: The Politics of Style -- 31 Islamic Fashions Cape -- 32 You Should Understand, It's a Freedom Thing: The Stoned Cherrie-Steve Biko T-Shirt -- PART SEVEN Fashion, clothes and the body -- Introduction -- 33 Addressing the Body -- 34 Deviant Bodies and Suitable Clothes -- 35 "My Leg is a Giant Stiletto Heel": Fashioning the Prosthetised Body -- 36 Fashion, Clothes and the Body -- PART EIGHT Fashion: production, consumption, prosumption -- Introduction -- 37 The Crossroad Between Production and Consumption -- 38 Consuming or Living with Things? Wearing it out -- 39 Reconceptualising Prosumption Beyond the 'Cultural Turn': Passive Fashion Prosumption in Korea and China -- 40 Attentiveness, Materials, and their use: The Stories of Never Washed, Perfect Piece and My Community -- 41 The Little Black Dress is the Solution, but what is the Problem? -- PART NINE Modern fashion -- Introduction -- 42 Adorned in Dreams: Introduction -- 43 Modernism and Fashion: A Social Psychological Interpretation -- 44 Public Roles/Personality in Public -- 45 Walter Benjamin: Fashion, Modernity and the City Street.
*520 $aThis thoroughly revised and updated edition of Fashion Theory: A Reader brings together and presents a wide range of essays on fashion theory that will engage and inform both the general reader and the specialist student of fashion. From apparently simple and accessible theories concerning what fashion is to seemingly more difficult or challenging theories concerning globalisation and new media, this collection contextualises different theoretical approaches to identify, analyse and explain the remarkable diversity, complexity and beauty of what we understand and experience every day as fashion and clothing. This second edition contains entirely new sections on fashion and sustainability, fashion and globalisation, fashion and digital/social media and fashion and the body/prosthesis. It also contains updated and revised sections on fashion, identity and difference, and on fashion and consumption and fashion as communication. More specifically, the section on identity and difference has been updated to include contemporary theoretical debates surrounding Islam and fashion, and LGBT+ communities and fashion and the section on consumption now includes theories of 'prosumption'. Each section has a specialist and dedicated Editor's Introduction which provides essential conceptual background, theoretical contextualisation and critical summaries of the readings in each section. Bringing together the most influential and ground breaking writers on fashion and exposing the ideas and theories behind what they say, this unique collection of extracts and essays brings to light the presuppositions involved in the things we all think and say about fashion. This second edition of Fashion Theory: A Reader is a timeless and invaluable resource for both the general reader and undergraduate students across a range of disciplines including sociology, cultural studies and fashion studies.
*5450 $aMalcolm Barnard is Senior Lecturer in Visual Culture at Loughborough University, UK.
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This thoroughly revised and updated edition of Fashion Theory: A Reader brings together and presents a wide range of essays on fashion theory that will engage and inform both the general reader and the specialist student of fashion. From apparently simple and accessible theories concerning what fashion is to seemingly more difficult or challenging theories concerning globalisation and new media, this collection contextualises different theoretical approaches to identify, analyse and explain the remarkable diversity, complexity and beauty of what we understand and experience every day as fashion and clothing.
This second edition contains entirely new sections on fashion and sustainability, fashion and globalisation, fashion and digital/social media and fashion and the body/prosthesis. It also contains updated and revised sections on fashion, identity and difference, and on fashion and consumption and fashion as communication. More specifically, the section on identity and difference has been updated to include contemporary theoretical debates surrounding Islam and fashion, and LGBT+ communities and fashion, and the section on consumption now includes theories of 'prosumption'. Each section has a specialist and dedicated Editor's Introduction which provides essential conceptual background, theoretical contextualisation and critical summaries of the readings in each section.
Bringing together the most influential and ground breaking writers on fashion and exposing the ideas and theories behind what they say, this unique collection of extracts and essays brings to light the presuppositions involved in the things we all think and say about fashion. This second edition of Fashion Theory: A Reader is a timeless and invaluable resource for both the general reader and undergraduate students across a range of disciplines including sociology, cultural studies and fashion studies.
Fashion and fashion theories Explaining It Away p. 17 The Empire of Fashion: Introduction p. 27 Adorned in Zeitgeist p. 35 Haute Couture and Haute Culture p. 46 What fashion is and is not Fashion p. 59 Art p. 66 Antifashion: The Vicissitudes of Negation p. 78 Fashion p. 92 Extract from Fashion and Anti Fashion p. 102 Fashion and (the) image Fashion Photography p. 119 Going beyond 'The Fashion System': A Critique p. 122 'Doing Fashion Photographs' p. 137 Introduction: Aboud Sodano and Paul Smith p. 144 Sustainable Fashion Consumers' Perceptions of 'Green': Why and How Consumers Use Eco-Fashion and Green Beauty Products p. 161 Fashion, Needs and Consumption p. 177 Fashion and Sustainability: Repairing the Clothes We Wear p. 188 Fashion as communication Social Life as a Sign System p. 207 The Analysis of the Rhetorical System p. 212 Do Clothes Speak? What Makes Them Fashion? p. 225 When the Meaning is not a Message: A Critique of the Consumption as Communication Thesis p. 236 "Fashion as Communication Revisited" p. 247 Fashion: identity and difference Express Yourself: The Politics of Dressing Up p. 269 Objectifying Gender: The Stiletto Heel p. 275 'Power Dressing' and the Construction of the Career Woman p. 285 From Gay to Queer - Or, Wasn't Fashion Always Already a Very Queer Thing? p. 297 Lesbian Style: From Mannish Women to Lipstick Dykes p. 307 Popular Fashion and Working-Class Affluence p. 328 Fashion: From Class Differentiation to Collective Selection p. 340 Great Aspirations: Hip Hop and Fashion Dress for Excess and Success p. 355 Taste and Distinction: The Politics of Style p. 361 Islamic Fashion Scape p. 374 You Should Understand, It's a Freedom Thing: The Stoned Cherrie-Steve Biko T-Shirt p. 389 Fashion, clothes and the body Addressing the Body p. 411 Deviant Bodies and Suitable Clothes p. 430 "My Leg is a Giant Stiletto Heel": Fashioning the Prosthetised Body p. 448 Fashion, Clothes and the Body p. 461 Fashion: production, consumption, prosumption The Crossroad between Production and Consumption p. 483 Consuming or Living with Things? Wearing It Out p. 505 Reconceptualising Prosumption beyond the 'Cultural Turn': Passive Fashion Prosumption in Korea and China p. 517 Attentiveness, Materials, and their Use: The Stories of Never Washed, Perfect Piece and My Community p. 532 The Little Black Dress is the Solution, but what is the Problem? p. 546 Modern Fashion Adorned in Dreams: Introduction p. 565 Modernism and Fashion: A Social Psychological Interpretation p. 570 Public Roles/Personality in Public p. 580 Walter Benjamin: Fashion, Modernity and the City Street p. 594 Postmodern Fashion The Ideological Genesis of Needs/Fetishism and Ideology p. 613 Fashion, or the Enchanting Spectacle of the Code p. 624 A Tale of Inscription/Fashion Statements p. 637 Deconstruction Fashion: The Making of Unfinished, Decomposing and Re-Assembled Clothes p. 651 Digital/new media and fashion Narcissism, Femininity and Alienation p. 677 Personal Fashion Blogsi Screens and Mirrors in Digital Self-Portraits p. 692 Bringing Sexy Back: Reclaiming the Body Aesthetic Via Self-Shooting p. 707 Mediatization and Digital Media in the Field of Fashion p. 725 Global and Transnational Fashion Globalization and Colonialism p. 743 Extract From Global Fashion Local Tradition p. 757 Transnational Commodity Flows and the Global Phenomenon of the Brand p. 770 The Art of Dressing: Body, Gender, and Discourse on Fashion in Soviet Russia in the 1950s and 1960s p. 782 Hong Kong Fashion Designers as Cultural Intermediaries: Out of Global Garment Production p. 796 Index p. 810