Hylla
Titel och upphov
Utgivning, distribution etc. Lund Humphries, London : 2019
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Upplaga
Fysisk beskrivning 144 pages illustrations (colour) 28 cm.
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Anmärkning: Innehållsbeskrivning, sammanfattning American artist Amy Sillman works in many media but painting has remained always at the very heart of her practice. This comprehensive monograph covers two decades of production, from the late-1990s to the present.
Personnamn
Term
ISBN
Antal i kö:
*000 nam a 3i 4500
*00149635
*00520210527124306.0
*008210527s2019 enka||||||||||000 0|eng|d
*020 $a9781848222977$q(hbk.)
*020 $a1848222971
*035 $a(OCoLC)on1159837543
*035 $a(SE-LIBR)ftjgx0gqc9lvkmq4
*041 $aeng
*08204$a759.1/3$223
*084 $aIe-qa$2kssb/8 (machine generated)
*24510$aAmy Sillman /$cValérie Smith.
*250 $aRevised edition.
*264 1$aLondon :$bLund Humphries,$c2019
*300 $a144 pages$billustrations (colour)$c28 cm.
*336 $astill image$bsti$2rdacontent
*336 $atext$btxt$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*4901 $aContemporary painters series
*5208 $aAmerican artist Amy Sillman works in many media but painting has remained always at the very heart of her practice. This comprehensive monograph covers two decades of production, from the late-1990s to the present.
*60010$aSillman, Amy$xCriticism and interpretation.
*60017$aSillman, Amy.$2fast
*650 7$aArt and Design.$2eflch
*650 7$aArt and Design.$2ukslc
*655 7$aCriticism, interpretation, etc.$2fast
*70012$aSillman, Amy$tWorks.$kSelections.
*7001 $aSmith, Valérie,$d1955-$4aut
*830 0$aContemporary painters series
*852 $5Ko$bKo$cKONST -$hIbz Sillman, Amy
*887 $a{"@id":"ftjgx0gqc9lvkmq4","modified":"2021-05-27T12:43:06.077+02:00","checksum":"190467477303"}$2librisxl
*887 $5Ko$a{"@id":"dshfwz67bn97g45f","modified":"2021-05-27T12:43:27.226+02:00","checksum":"146187627501"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
A prolifically creative artistic polymath, American artist Amy Sillman (b. 1955) works in drawing, zines, iPhone videos, installation, collaboration, teaching, and curating, but painting has remained always at the very heart of her practice. This comprehensive monograph covers two decades of production, from the late-1990s to the present. Valerie Smith's text reveals Sillman's uniquely time-based approach to painting, influenced and inflected as much by filmmakers and musicians and the processes of her other chosen disciplines as by strictly art-historical forebears. Sillman's works perform an intensive cognitive and gestural interrogation of her chosen materials: discovering, undoing, and reforming trains of painterly thought, often over long periods of time and across large numbers of linked works. Sillman's painting emerges as a radically expressive force: a pointedly self-reflexive practice that reformulates contemporary painting as an ever-evolving continuum and never simply a finished work.