Hylla FOTOGRAFI - Inz Markosian, Diana
Personnamn
Titel och upphov Santa Barbara : episode #2138
Varianttitel Diana Markosian : Santa Barbara
Utgivning, distribution etc. Aperture, New York, NY : 2020
©2020
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Upplaga
Fysisk beskrivning 213 pages illustrations (chiefly color) 29 cm
Anmärkning: Allmän "TAPE DATE: Thursday, October 10, 1996; AIR DATE: Monday, June 1, 2020."
Anmärkning: Innehållsbeskrivning, sammanfattning "Diana Markosian's Santa Barbara recreates the story of her family's journey from post-Soviet Russia to the U.S. in the 1990s. The project pulls together staged scenes, film stills, and family pictures in an innovative and compelling hybrid of personal and documentary storytelling. In it, the artist grapples with the reality that her mother, seeking a better life for herself and her two young children, came to America as a mail-order bride. Markosian's mother chose her future husband because he lived in Santa Barbara, a city made famous in Russia when the 1980s soap opera of that name became the first American television show broadcast there. Weaving together reenactments by actors, archival images, stills from the original Santa Barbara TV show, Markosian reconsiders her family's story from her mother's perspective, relating to her for the first time as a woman, and coming to terms with the profound sacrifices she made to become an American"-- Publisher's description.
Personnamn
Term
ISBN
Antal i kö:
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*00149150
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*084 $aInz Markosian, Diana$2kssb/8
*100 $aMarkosian, Diana$4art
*24510$aSanta Barbara :$bepisode #2138 /$cdirected by Diana Markosian ; [essay by Lynda Myles].
*246 1$aDiana Markosian :$bSanta Barbara
*250 $aFirst edition.
*264 1$aNew York, NY :$bAperture,$c2020
*264 4$c©2020
*300 $a213 pages$billustrations (chiefly color)$c29 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*500 $a"TAPE DATE: Thursday, October 10, 1996; AIR DATE: Monday, June 1, 2020."
*520 $a"Diana Markosian's Santa Barbara recreates the story of her family's journey from post-Soviet Russia to the U.S. in the 1990s. The project pulls together staged scenes, film stills, and family pictures in an innovative and compelling hybrid of personal and documentary storytelling. In it, the artist grapples with the reality that her mother, seeking a better life for herself and her two young children, came to America as a mail-order bride. Markosian's mother chose her future husband because he lived in Santa Barbara, a city made famous in Russia when the 1980s soap opera of that name became the first American television show broadcast there. Weaving together reenactments by actors, archival images, stills from the original Santa Barbara TV show, Markosian reconsiders her family's story from her mother's perspective, relating to her for the first time as a woman, and coming to terms with the profound sacrifices she made to become an American"--$cPublisher's description.
*60010$aMarkosian, Diana.
*60010$aMarkosian, Diana$xFamily.
*650 0$aPhotography, Artistic.
*700 $aMyles, Lynda$ewriter of supplementary textual content.
*852 $5Ko$bKo$cFOTOGRAFI -$hInz Markosian, Diana
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Diana Markosian's Santa Barbara recreates the story of her family's journey from post-Soviet Russia to the U.S. in the 1990s. The project pulls together staged scenes, film stills, and family pictures in an innovative and compelling hybrid of personal and documentary storytelling. In it, the artist grapples with the reality that her mother, seeking a better life for herself and her two young children, came to America as a mail-order bride. Markosian's mother chose her future husband because he lived in Santa Barbara, a city made famous in Russia when the 1980s soap opera of that name became the first American television show broadcast there. Weaving together reenactments by actors, archival images, stills from the original Santa Barbara TV show, Markosian reconsiders her family's story from her mother's perspective, relating to her for the first time as a woman, and coming to terms with the profound sacrifices she made to become an American.