Hylla FOTOGRAFI - Inz Du Bois, W.E.B.
Personnamn
Titel och upphov Photography on the color line : W.E.B. Du Bois, race, and visual culture
Utgivning, distribution etc. Duke University Press, Durham : 2004
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Allmän "John Hope Franklin Center Book."
Personnamn
Konferensnamn Exposition universelle internationale de 1900 (Paris, France)
Term
Geografiskt namn
ISBN
Antal i kö:
*000 cam a 7a 4500
*00148706
*00520181030230000.0
*008040107s2004 ncu||||||b||||001 0|eng|c
*020 $a0822333317$qinb.
*020 $a0822333430$qhft.
*035 $a(DLC) 2003027589
*035 $a(SE-LIBR)9298053
*041 $aeng
*050 0$aTR23
*08200$a770/.8996/073$222
*084 $aInb-qa:k$2kssb/8
*084 $aKqau$2kssb/7
*084 $aLz Du Bois, William Edward Burghardt$2kssb/7
*100 $aSmith, Shawn Michelle,$d1965-$4aut
*24510$aPhotography on the color line :$bW.E.B. Du Bois, race, and visual culture /$cShawn Michelle Smith.
*264 1$aDurham :$bDuke University Press,$c2004
*300 $a225 s.$bill.
*500 $a"John Hope Franklin Center Book."
*60014$aDu Bois, W. E. B.$q(William Edward Burghardt),$d1868-1963.$tDu Bois albums of photographs of African Americans in Georgia exhibited at the Paris Exposition Universelle in 1900
*60014$aDu Bois, W. E. B.$q(William Edward Burghardt),$d1868-1963$0https://libris.kb.se/ljx152142x9nv05#it
*61120$aExposition universelle internationale de 1900$c(Paris, France)
*650 0$aPhotography$zUnited States$xHistory.
*650 0$aAfrican Americans$xRace identity.
*651 7$aRasrelationer $zFörenta staterna$2sao
*852 $5Ko$bKo$cFOTOGRAFI -$hInz Du Bois, W.E.B.
*887 $a{"@id":"r8217g83438tbs3","modified":"2018-10-30T23:00:00+01:00","checksum":"108479946024"}$2librisxl
*887 $5Ko$a{"@id":"w875knnltz8qx3n9","modified":"2020-11-16T10:38:38.222+01:00","checksum":"77314816112"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called "the problem of the twentieth century." Du Bois's prize-winning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developed--including double consciousness, the color line, the Veil, and second sight--available to visual culture and African American studies scholars in powerful new ways.
Smith reads Du Bois's photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois's exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.
List of Illustrations p. ix Acknowledgments p. xv Introduction: Photography on the Color Line p. 1 Envisioning Race p. 25 The Art of Scientific Propaganda p. 43 "Families of Undoubted Respectability" p. 77 Spectacles of Whiteness: The Photography of Lynching p. 113 Epilogue: The Archivist in the Archive p. 147 Notes p. 161 Bibliography p. 203 Index p. 217