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Titel och upphov Visual cultures and critical theory
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*000 cam a 7a 4500
*00148427
*00520040216151132.0
*008030828s2003 xxk||||f||||||001 0|swe|c
*020 $a0340807482$qhft
*035 $a(SE-LIBR)9060252
*041 $aswe
*084 $aBra$2kssb/7
*084 $aDbcc$2kssb/7
*1001 $aFuery, Patrick,$d1957-
*24510$aVisual cultures and critical theory /$cPatrick Fuery, Kelli Fuery.
*264 1$aLondon :$bArnold,$c2003
*300 $a137 s.
*650 7$aVisuell kommunikation$0https://id.kb.se/term/sao/Visuell%20kommunikation$2sao
*650 7$aKritisk teori$0https://id.kb.se/term/sao/Kritisk%20teori$2sao
*650 0$aVisual communication
*650 0$aCritical theory
*7001 $aFuery, Kelli
*852 $5Ko$bKo$hBr
*887 $a{"@id":"2kc97xbd4p060jg","modified":"2004-02-16T15:11:32+01:00","checksum":"171668207586"}$2librisxl
*887 $5Ko$a{"@id":"3g2lghc21v02xxt6","modified":"2020-08-17T13:16:57.037+02:00","checksum":"34691340513"}$2librisxl
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We live in a world of the image. In many ways images have replaced words as the defining aspect of cultural identity, while at the same time they have become part of our global culture. The rapidly developing discipline of visual cultural studies has become the key area for examining the issues of the image. Visual Cultures and Critical Theory provides students with a clear guide for understanding ideas of critical theory through the visual. Taking up a range of themes such as spectatorship, pleasure, power, doubles, hallucination, and the frame, the book explains them within the context of the theoretical developments in psychoanalysis, cultural theory, postmodernism, Queer theory, gender studies, and narrative theory.
Acknowledgements Introduction Investing in Power and the Body: Foucault and the Visual Seeing the Self in the Baroque Mirror: Lacan and the Visual Transgression, Abjection, and the body: Kristeva and the Visual From Parasitology to Spectres: Derrida and the Visual Spectator, Culture, Image: Barthes and the Visual Invisibility and Hallucination: The State of the Image in the Postmodern World