Hylla
Titel och upphov Art history, aesthetics, visual studies
Utgivning, distribution etc. Sterling and Francine Clark Art Institute ; Yale University Press, Williamstown, Mass. New Haven : 2002
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Term
Konferensnamn
ISBN
Antal i kö:
*000 cam a 7a 4500
*00148396
*00520180515195808.0
*008030825s2002 xxua||||||||||100 0|eng|c
*020 $a0300097891
*035 $a(SE-LIBR)9058096
*041 $aeng
*08204$a701.17$221
*084 $aIaa$2kssb/7
*24510$aArt history, aesthetics, visual studies /$cedited by Michael Ann Holly and Keith Moxey.
*264 1$aWilliamstown, Mass.$bSterling and Francine Clark Art Institute ;$aNew Haven :$bYale University Press,$c2002
*300 $a271 s.$bill.
*650 7$aKonstteori$0https://id.kb.se/term/sao/Konstteori$2sao
*655 7$aKonferenser $0https://id.kb.se/term/saogf/Konferenser $2saogf
*7001 $aHolly, Michael Ann$4edt
*7001 $aMoxey, Keith$4edt
*7112 $aClark Conference "Art History, aesthetics, visual studies"$d(2001 : Williamstown, Massachusetts)
*852 $5Ko$bKo$cKONST -$hIaa
*887 $a{"@id":"6phfc02j5937q3j","modified":"2018-05-15T19:58:08+02:00","checksum":"187918218598"}$2librisxl
*887 $5Ko$a{"@id":"zbwr4dw4wjn0rsh6","modified":"2020-08-11T14:11:15.245+02:00","checksum":"46782777443"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Art history, aesthetics, and visual studies today find themselves in contested new philosophical and institutional circumstances. This fascinating and challenging volume explores the connections and differences among these three methods of investigating visual representation. What are the dominant aesthetic assumptions underlying art historical inquiry? How have these assumptions been challenged by visual studies? Are questions of quality, form, content, meaning, and spectatorship culturally specific? Can we still define the parameters of what should properly constitute the objects of the history of art? Fifteen distinguished scholars answer these and other questions, critically examining the relationships among these three scholarly fields from their founding moments through their contemporary practices. Distributed for the Sterling and Francine Clark Art Institute
Introduction p. vii In Time Defining "Aesthetics" for Non-Western Studies: The Case of Ancient Mesopotamia p. 3 Romare Bearden: African American Modernism at Mid-Century p. 29 Chaos and Cosmos: Points of View in Art History and Aesthetics p. 47 National Stereotypes, Prejudice, and Aesthetic Judgments in the Historiography of Art p. 71 Out of Time Darkness and the Demand for Time in Art p. 87 Censorship, Autonomy, and Artistic Form p. 105 Danto and Krauss on Cindy Sherman p. 122 The Aesthetics of Difference p. 147 Recollections of Rembrandt's Jeremiah p. 175 With Time Ghostwriting: Working Out Visual Culture p. 189 "Theory," Discipline, and Institution p. 203 Dialectics of Seeing p. 215 Showing Seeing: A Critique of Visual Culture p. 231 Current Issues in Art History, Aesthetics, and Visual Studies p. 251 Mixing Metaphors and Talking about Art p. 260 Contributors p. 269