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Titel och upphov Optical media : Berlin lectures 1999
Uniform titel Optische Medien. Engelska
Utgivning, distribution etc. Polity Press, Cambridge : cop 2010
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references (p. 231-236) and index
Anmärkning: Original Berlin : Merve, 2002, under title: Originally published: Optische Medien
Term
Indexterm - Okontrollerad
ISBN
Antal i kö:
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*1001 $aKittler, Friedrich A.,$d1943-2011$4aut
*24010$aOptische Medien.$lEngelska
*24510$aOptical media :$bBerlin lectures 1999 /$cFriedrich Kittler ; translated by Anthony Enns.
*264 1$aCambridge :$bPolity Press,$ccop 2010
*300 $avi, 250 p.$c23 cm.
*504 $aIncludes bibliographical references (p. 231-236) and index
*534 $cBerlin : Merve, 2002,$nunder title:$pOriginally published:$tOptische Medien
*650 7$aKonstestetik
*650 7$aLaterna magica$0https://id.kb.se/term/sao/Laterna%20magica$2sao
*650 7$aFotografi$xhistoria$0https://id.kb.se/term/sao/Fotografi--historia$2sao
*650 7$aTeater$xhistoria$0https://id.kb.se/term/sao/Teater--historia$2sao
*650 0$aPhotography
*650 0$aMotion pictures
*650 0$aTelevision
*650 0$aOptical art$xHistory
*650 0$aOptical images$xHistory
*650 0$aMass media$xHistory
*650 0$aVisual communication$xHistory
*650 0$aVisual perception$xHistory
*650 0$aArt and technology$xHistory
*650 0$aPhotography$xHistory
*650 0$aTheater$xHistory
*650 7$aVisuell kommunikation$2sfit
*650 7$aMassmedia$2sfit
*650 7$aFotografi$2sfit
*650 0$aAesthetics
*653 $aPerception
*653 $aPhotography
*7001 $aEnns, Anthony$4trl
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This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. He also discusses the development of various mechanical devices, such as the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counter-Reformation.
After examining this history, Kittler then addresses the ways in which images were first stored and made to move, through the development of photography and film. He discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or "picture-frame" stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations.
In short, this book provides a comprehensive introduction to the history of image production that is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.
Preliminary Remarks Theoretical Presuppositions Technologies of the Fine Arts Camera Obscura and Linear Perspective Prehistory Implementation Impact Perspective and Letterpress The Self-Printing of Nature Europe's Colonial Power Laterna Magica and the Age of the World Picture Magic Lanterns in Action Implementation Impact Propaganda Heidegger's Age of the World Picture Jesuits and Optical Media Travelling People Jesuit Churches Jesuit Theatre Enlightenment and Image War Brockes Phenomenology from Lambert to Hegel Ghost Seer Romantic Poetry Optical Media Photography Prehistory Implementation Niépce and Daguerre Talbot Painting and Photography: A Battle for the Eyeballs Film Preludes Implementation Silent Film Sound Film Colour Film Television Computer