Hylla
Titel och upphov Portrait ure and early studio photography in China and Japan
Utgivning, distribution etc.
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 252 pages illustrations (black and white, and colour) 25 cm
Term
Geografiskt namn
ISBN 9781472484383 147248438X 9780367331122
Antal i kö:
*000 nam a 1i 4500
*00148153
*00520200813135544.0
*008200813s2016 enka||||||||||000 0|eng|d
*020 $a9781472484383$q(hbk.)
*020 $a147248438X
*020 $a9780367331122$q(pbk.)
*035 $a(OCoLC)on1062324324
*035 $a(SE-LIBR)r4qs0c68pvnr1c0w
*041 $aeng
*08204$a779.20951$223
*084 $aInz$2kssb/8 (machine generated)
*24510$aPortrait ure and early studio photography in China and Japan /$cedited by Luke Gartlan, Roberta Wue.
*264 1$aLondon :$bRoutledge,$c2016
*300 $a252 pages$billustrations (black and white, and colour)$c25 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*650 0$aPortrait photography $zChina$xHistory.
*650 0$aPortrait photography $zJapan$xHistory.
*650 7$aPortrait photography .$2fast
*651 7$aChina.$2fast
*651 7$aJapan.$2fast
*655 7$aHistory.$2fast
*7001 $aGartlan, Luke$4edt
*7001 $aWue, Roberta$4edt
*852 $5Ko$bKo$cFOTOGRAFI -$hInb-o
*887 $a{"@id":"r4qs0c68pvnr1c0w","modified":"2020-08-13T13:55:44.066+02:00","checksum":"156185820305"}$2librisxl
*887 $5Ko$a{"@id":"t6sv2g13r0c2hlt9","modified":"2020-08-13T13:56:04.529+02:00","checksum":"118064556580"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
This volume explores the early history of the photographic studio and portrait in China and Japan. The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place and as a space that was cultural, economic, and creative. Its authors also look closely at the studio portrait not as images alone, but also as collaborative ventures between studio operators and sitters, opportunities to invent new roles, images that merged the new medium with "traditional" visual practices, as well as the portrait's part in devising modern, gendered, nationalistic, and public identities for its subjects. As the first collection of its kind, Portraiture and Early Studio Photography in China and Japan analyzes the photographic likeness--its producers, subjects, viewers, and pictorial forms--and argues for the historical significance of the photographic studio as a specific and new space central to the formation of new identities and communities. Photography's identity as a transnational technology is thus explored through the local uses, adaptations, and assimilations of the imported medium, presenting modern images of their subjects in specific Japanese and Chinese contexts.
List of Figures p. vii List of Plates p. xi Notes on Contributors p. xiii Acknowledgments p. xvi Note on Transliteration p. xvii Studios and Photographers p. 15 Shimizu Tokoku and the Japanese Carte-de-visite: Circumscriptions of Yokohama Photography p. 17 Group Encounters: Milton M. Miller's Hong Kong and Canton Photographs p. 41 Powkee and the Era of Large Studios p. 59 Sitters and Domestic Markets p. 77 Guiding the Sitter: Matsuzaki Shinji's Dos and Don'ts for the Photographic Customer p. 79 Chinese Ideas of Likeness: Photography, Painting, and Intermediality p. 97 Inscribed Photographic Portraits: Commemoration and Self-Fashioning in Republican-Period China p. 117 One, and the Same: The Photographic Double in Republican China p. 140 Citizens and Subjects p. 157 The Fluidity of Representation: Early Photographs, Asakusa, and Kabuki p. 159 From Private to Public: Shifting Conceptions of Women's Portrait Photography in Late Meiji Japan p. 174 The Republican Lady, the Courtesan, and the Photograph: Visibility and Sexuality in Early Twentieth-Century China p. 193 Appendix Matsuzaki Shinji's Dos and Don'ts for the Photographic Customer Translated p. 211 Glossary of Chinese and Japanese Characters p. 218 Bibliography p. 224 Index p. 243