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Titel och upphov Little madnesses : Winnicott, transitional phenomena and cultural experience
Utgivning, distribution etc. I.B. Tauris, London : 2013
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*24500$aLittle madnesses :$bWinnicott, transitional phenomena and cultural experience /$cedited by Annette Kuhn ; foreword by Lesley Caldwell.
*264 1$aLondon :$bI.B. Tauris,$c2013
*300 $a231 p.$bill.$c23 cm
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*504 $aBibliography, index
*60014$aWinnicott, D. W.$q(Donald Woods),$d1896-1971
*650 0$aTransitional objects (Psychology)
*650 0$aArts and society
*650 0$aCulture$xPsychological aspects
*650 0$aManners and customs$xPsychological aspects
*650 7$aFilmteori$2sfit
*653 $aTheory
*653 $aKulturteori
*653 $aKonstteori
*653 $aÖvergångsfenomen
*653 $aFilmteori
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'Little madnesses' are our most deeply felt enthusiasms, investments and attachments in the sphere of culture. The term was coined by the child psychoanalyst Donald Winnicott, whose work on transitional phenomena grew out of his naming of the transitional object, and extended into preliminary explorations of the crucial role played by cultural experience in a life that feels satisfying. In our socially and culturally sanctioned little madnesses, everyone can find relief from the burden of having to maintain a clear boundary between inner and outer worlds, fantasy and reality, because it is in the space between them that we can find the enthusiasms and passions that excite our creative imaginations. This idea offers intriguing pathways towards understanding how we can engage effectively with the world at a public, social level without setting aside our inner lives, our emotions and our most deeply felt attachments. In Little Madnesses, writers, artists, scholars and experts in a range of fields and disciplines explore the idea of transitional phenomena and consider its potential to extend and deepen our understanding of cultural experience in mental and social life, focusing on the importance of space, place and boundaries in cultural experience; on how we can negotiate media use and cultural identity; and on the aesthetic and creative aspects of cultural experience. Topics covered include cult films, computer use, installation art, trips to the cinema, museums and galleries, the agony and ecstasy of making art and the significance of life stage in cultural experience.
List of Illustrations p. ix List of Contributors p. xi Foreword p. xv Acknowledgements p. xxi Little Madnesses: An Introduction p. 1 Spaces and Frames p. 11 Spaces and Frames: An Introduction p. 13 The Location of Virtual Experience p. 23 The Playing Spectator p. 39 Home Is Where We Start From p. 53 Soundspace p. 65 Media Users p. 77 Media Users: An Introduction p. 79 Pleasure and Adult Development: Extending Winnicott into Late(r) Life p. 87 Recoded Transitional Objects and Fan Re-readings of Puzzle Films p. 103 The Reality of the Experience of Fiction p. 121 On the Use of a Film: Cultural Experiences as Symbolic Resources p. 135 Cultural Experience and Creativity p. 149 Cultural Experience and Creativity: An Introduction p. 151 Cultural Experience and the Gallery Film p. 159 Making Space p. 173 The Little Madnesses of Museums p. 187 Found Objects and Mirroring Forms p. 203 Select Bibliography p. 215 Index p. 227