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Titel och upphov The ethnographic I : a methodological novel about autoethnography
Utgivning, distribution etc. AltaMira Press, Walnut Creek, CA : 2004
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*650 0$aEthnology$xMethodology.
*650 0$aAutobiography$xAuthorship.
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Autoethnography takes place when the researcher looks inward as well as outward, making connections between his or her personal life and the cultural, social, and political realms. Aimed at students and other researchers, this text describes the process of doing and writing autoethnography. Ellis (c
Cast of Characters p. xiii Preface p. xv Introductions and Interruptions p. 1 Getting over the Syllabus p. 2 Introductions p. 5 A Personal History: From Sociology to Communication, from Ethnography to Autoethnography p. 9 Interlude: Living and Writing Final Negotiations p. 18 Reflections on Living the Autoethnographic Life: Cross-Status Relationships Revisited p. 21 The Call of Autoethnographic Stories p. 24 Contextualizing Autoethnography within Ethnography p. 25 Autoethnography: An Introduction p. 31 Autoethnography: Definition and History p. 37 Autoethnography: The Term of Choice p. 41 Autoethnographic Approaches p. 45 Interlude: Mentoring Autoethnographic Projects p. 52 Reflections on Living the Autoethnographic Life: Performing Relationships p. 53 How We Met (by Arthur Bochner and Carolyn Ellis) p. 54 Autoethnography in Interview Research p. 58 Issues in Autoethnographic Interviewing p. 58 Reflexive Dyadic Interviews p. 61 Interactive Interviewing p. 64 Interlude: Connecting with Autoethnography p. 69 Co-constructed Narrative p. 71 Reflections on Living the Autoethnographic Life: Responding to Abortion p. 77 Interlude: Abortion Revisited p. 82 Autoethnographic Projects: Putting the Self into Research p. 86 Empathy in Researching Illness, Dying, and Medical Teams p. 86 Cross-Racial Relationships p. 89 Discovering Messianic Judaism and Experiencing the Spiritual p. 92 Interlude: Not Everyone Can Write Evocative Autoethnography p. 98 Losing a Father and Constructing a Story p. 99 Performing Domestic Abuse p. 102 Bifurcated Identity: Becoming Latino p. 104 Retreating to Silence p. 106 Interlude: Revealing Is Painful p. 107 Reflections on Living the Autoethnographic Life: The Pain of Revealing p. 109 Writing Field Notes, Interviews, and Stories: Issues of Memory and Truth p. 112 "Getting It Off My Chest" and Living with Breast Cancer Survival p. 113 Taking Autoethnographic Field Notes, "Capturing" Experience, Memory, and Emotional Recall p. 113 Interlude: Teaching Autoethnography p. 119 Interlude: Emotions, Politics, and Social Change p. 120 Conducting and Writing Up Interviews: From Accuracy to Memory to Truth p. 122 Reflections on Living the Autoethnographic Life: Life Seeps into Work p. 127 Writing Therapeutically, Vulnerably, Evocatively, and Ethically p. 130 Interlude: "Maternal Connections" p. 132 Writing Therapeutically p. 135 Rewriting Autoethnographic Stories: Making Ourselves Vulnerable p. 137 Writing Evocatively p. 140 Interlude: Life Becomes Work p. 143 What about Ethics? p. 144 Reflections on Living the Autoethnographic Life: Sometimes You Need an Escape p. 155 Class Interludes: Living Autoethnography: Life Informs Work Informs Life p. 156 Balancing Vulnerability and Risk p. 156 Life Becomes Performance/Performance Becomes Life p. 157 Life Ends, Work Begins p. 162 Retellings p. 162 Rereadings p. 163 Studying Others/Studying Ourselves p. 166 Communicating about Death p. 167 Writing as Inquiry p. 169 Introduction p. 169 Our Work/Our Selves p. 171 Bringing It Back Up p. 174 Breaking Hearts p. 176 Framing a Story p. 178 Revisions and Endings p. 179 Interlude: Raising Eyebrows and Running for Cover p. 181 Friendship Interlude: Artful Autoethnography p. 184 Art as Autoethnography/Autoethnography as Art p. 184 Autoethnographic Forms of Writing p. 193 Autoethnography as "CAP" Ethnography p. 194 Analysis in Storytelling p. 194 Reciting Poetry p. 201 Performing Autoethnography p. 206 Autoethnography On-line p. 212 Multivoiced and Mixed Genre p. 214 Arts-Based Autoethnography p. 215 Interlude: The Storyteller p. 216 Final Projects p. 219 Illusions, Fantasies, Dreams, and Reflections: An Autoethnography of Abuse p. 220 The Complexity of Cross-Racial Relationships p. 224 "Then You Know How I Feel": Empathy, Identification, and Reflexivity in Fieldwork p. 227 A Crisis of Self: The Challenge of Breast Cancer and Long-Term Survival p. 231 Dialogical Intersections: The Death of a Father p. 234 Messianic Judaism: Searching the Spirit p. 237 Latino-White Bicultural Identity p. 240 Interlude: Work Spills into Personal Lives: Anger in Relationships p. 244 Evaluating and Publishing Autoethnography p. 249 Criteria for Evaluating Autoethnographic Projects p. 252 Institutional Review Boards p. 256 Getting Published p. 261 Reflections on Living the Autoethnographic Life: Dealing with Rejection p. 264 Community Interlude: Taking Autoethnographic Research to a Domestic Abuse Shelter p. 269 Collaborative Research about Domestic Violence Workers p. 269 Engaged Collaborative Research: Writing a Story of Multiple Viewpoints and Feelings p. 271 Connecting Research and Practice: A Case of Working against Domestic Abuse p. 272 Participant Interludes: Autoethnographic Conversations about Autoethography p. 284 The Responsibilities of Doing Autoethnographic Research: Interview with Judy Perry p. 285 Reactions to the Book and to Being a Character p. 285 Doing Autoethnographic Research on Family Members p. 286 Using Autoethnography to Understand the Perspectives of Others p. 287 Mentor-Mentee Relationships p. 289 Real Names or Pseudonyms/ Therapy or Autoethnography?: Interview with Valerie Macleod p. 292 Reactions to the Book and to Being a Character p. 292 Confidentiality and Family Members p. 293 Role of Autoethnography p. 294 Autoethnography and Therapy p. 296 Literary Agents p. 297 Is There a Downside to Doing Autoethnographic Research?: Interview with Penny Phillips p. 300 Reactions to the Book and to Being a Character p. 300 Experiencing the Moment p. 301 Revisiting the CASA Story p. 302 Exploring Autoethnography and "Real Life" p. 303 Embodied Writing/Embodied Listening: Interview with Laura Ellingson p. 307 Reactions to the Book and to Being a Character p. 307 Embodied Writing p. 308 Listening to and Telling Stories: Autoethnographic Connections p. 310 Mixed Genres and Methods p. 312 Autoethnography or Sensationalism?: Interview with Leigh Berger p. 314 Reactions to the Book and to Being a Character p. 314 Embracing Autoethnography p. 316 The Writing Process p. 316 The Autoethnographic Experience p. 318 Autoethnography and Sensationalism p. 319 Straying from Autoethnography: Interview with Hector p. 322 Autoethnographic Impressions p. 322 Reactions to Being a Character p. 323 Representing Family Uncritically p. 324 Critical Representation of Structure and Power p. 325 Authenticity, Faith, and Context p. 325 Incorporating Autoethnography p. 327 Author Interlude: Writing a Methodological Novel: Thinking Like an Ethnographer, Writing Like a Novelist p. 330 Thinking Like An Ethnographer p. 333 Writing Like a Novelist p. 335 Developing Plot p. 337 Selecting and Developing Characters p. 338 Scene Setting p. 342 Dialogue p. 343 Co-creating a Text p. 344 Getting Consent p. 344 Giving Acknowledgment p. 345 Ending and Beginning/Examining and Living p. 347 Suggested Readings and Assignments for an Autoethnography Class p. 351 Chart of Impressionist and Realist Ethnography p. 359 Guidelines for Personal Writing Papers p. 365 Editing Personal Narratives p. 369 Notes p. 371 References p. 389 Name Index p. 413 Subject Index p. 419 About the Author p. 427