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Titel och upphov Picturing the language of images
Utgivning, distribution etc. Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2013
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DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning XIV, 552 pages illustrations 22 cm
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning From dustcover: Picturing the Language of Images is a collection of thirty-three previously unpublished essays that explore the complex and ever-evolving interaction between the verbal and the visual.
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ISBN
Antal i kö:
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Picturing The Language of Images is a collection of thirty-three previously unpublished essays that explore the complex and ever-evolving interaction between the verbal and the visual. The uniqueness of this volume lies in its bringing together scholars from around the world to provide a broad synchronic and diachronic exploration of the relationship between text and image, as well as a reflection on the limits of representation through a re-thinking of the very acts of reading and viewing. While covering a variety of media-such as literature, painting, photography, film and comics-across time-from the 18th century to the 21st century-this collection also provides a special focus on the work of particular authors, such as A.S. Byatt, W.G. Sebald, and Art Spiegelman.
List of Figures p. xi Introduction: Picturing the Language of Images p. 1 Verbal and Visual Literacy From Intersemiotic to Intermedial Transposition: "Ex-changing Image into Word / Word into Image" p. 13 The Order of Knowing: Discourse on Aesthetics and the Language of Vision p. 33 Ecoutez-Voir, by Elsa Triolet: Situating an "Iconotext" p. 45 Iconotextuality and the Limits of Representation "A Story in Geometric Shapes": The Cross between Text and Image in "The Kiss" by Angela Carter p. 63 Tableaux Vivants or Nature Morte? On Descriptions of Tableaux in Goethe's Elective Affinities p. 73 The Quest for the "Thing Itself in A. S. Byatt's Still Life p. 87 Ekphrastic Strategies Walter Scott's Politics of Ekphrasis in Waverley p. 101 Written on Flesh: Peter Verhelst's Tonguecat and the Ekphrastic Tradition p. 111 "Sound Apples, Fair Flesh, and Sunlight": A. S. Byatt's Feminist Critique of Matisse's Depictions of Women p. 119 "Lots of Little Lies for the Sake of One Big Truth": Ekphrasis and Memory in John Banville's The Sea and W. G. Sebald's The Emigrants p. 133 Graphic and Illustrative Strategies "As a Kind of Picture-Writing": Walter Crane, Drawing, and the Creation of a New Symbolic System p. 147 "Not Waving": Miscommunication between Stevie Smith's Poems and Drawings p. 163 Photo-graphic Devices in Jonathan Safran Foer's Extremely Loud and Incredibly Close p. 177 The Shape of Trauma: Two 9/11 Novels p. 199 Text and Image in Visual Art Body, Text, and Image in Tatana Kellner's Fifty Years of Silence p. 217 Disrupting the Visual: The Dialogical Relation of Text and Image in Lorna Simpson's Photographs p. 229 Parergon, Paratext, and Title in the Context of Visual Art p. 241 The Interartistic Phenomenon in the "Catalonian Garden" p. 251 Photography in Fiction Archeology of the Image: Photographic Traces and the Postmodern Archival Text p. 273 No Reality Here: Sensation Novels and Photography p. 297 Nonnanative Structure and Photographic Images in W. G. Sebald's The Emigrants p. 313 Mute Images: The Photography of Melancholy in W. G. Sebald's The Rings of Saturn p. 327 Poetry and / of the Visual "A Charming Picture": Photographic Images of Holocaust Perpetrators p. 345 The "Magical Bishop" of Dada: Hugo Ball and "The Inner Alchemy of the Word" p. 355 Re-reading Blake's "London" p. 367 "Shut from View": Pre-Raphaelite Painting and the Invisible in Keats's Isabella; or, The Pot of Basil p. 381 The Language of Film Diegetic Frames and Photo-Cinematographic Seduction: Filming through Text in Harold Frederic's Illumination (1896) p. 395 From Remake to Remote: Tex Avery's Fairy Tales p. 419 The Fading Art of Video and Loss of Memory: Michael Haneke's Cache and Amour p. 433 The Language of Comics Rendering the Familiar Unfamiliar: Art Spiegelman's Maus p. 455 All About 9/11, All But 9/11: The Shifting Epistemological Paradigm of Art Spiegelman's In the Shadow of No Towers p. 471 Funk! Honk! Wham! Oof! Representation of Events in Carl Barks -And in the Aesthetics of Comics in General p. 483 The Silence of Images: Traces and Effacement in the French Graphic Novel Adaptation of Bohumil Hrabal's Too Loud a Solitude p. 509 Contributors p. 529 Index p. 539