Hylla
Personnamn
Titel och upphov Pink noises : women on electronic music and sound
Utgivning, distribution etc. Durham [NC] : Duke University Press, cop. 2010
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index
Anmärkning: Innehåll Pauline Oliveros -- Kaffe Matthews -- Carla Scaletti -- Eliane Radigue -- Maggi Payne -- Ikue Mori -- Beth Coleman (M. Singe) -- Maria Chavez -- Christina Kubisch -- Annea Lockwood -- Chantal Passamonte (Mira Calix) -- Jessica Rylan -- Susan Morabito -- Rekha Malhotra (DJ Rekha) -- Giulia loli (DJ Mutamassik) -- Jeannie Hopper -- Antye Greie (AGF) -- Pamela Z -- Laetitia Sonami -- Bevin Kelley (Blevin Blectum) -- Le Tigre -- Bev Stanton (Arthur Loves Plastic) -- Keiko Uenishi (o.blaat) -- Riz Maslen (Neotropic)
Anmärkning: Innehållsbeskrivning, sammanfattning Description from publisher: "Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement. Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, "performance novels," sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns."
Term
ISBN 9780822346616 0822346613 9780822346739 0822346737
Antal i kö:
*000 cam a 7a 4500
*00146929
*00520181030230000.0
*008100702s2010 xxua||||||||||001 0|eng|c
*010 $a2009039109
*015 $aGBB009377$2bnb
*0167 $a015473697$2Uk
*020 $a9780822346616$qcloth : alk. paper
*020 $a0822346613$qcloth : alk. paper
*020 $a9780822346739$qpbk. : alk. paper
*020 $a0822346737$qpbk. : alk. paper
*035 $a(OCoLC)ocn454364325
*035 $a(SE-LIBR)11883862
*040 $aNcD/DLC$cDLC$dYDX$dUKM$dYDXCP$dCDX$dBWX$dSTF$dPUL$dKd$dX$ea
*041 $aeng
*042 $apcc
*05000$aML82$b.R65 2010
*08200$a786.7092/2$222
*084 $aIji$2kssb/8
*1001 $aRodgers, Tara,$d1973-
*24510$aPink noises :$bwomen on electronic music and sound /$cTara Rodgers.
*264 1$aDurham [NC] :$bDuke University Press,$ccop. 2010
*300 $axi, 322 s.$bill.$c25 cm
*340 $b25 cm
*504 $aIncludes bibliographical references and index
*5058 $aPauline Oliveros -- Kaffe Matthews -- Carla Scaletti -- Eliane Radigue -- Maggi Payne -- Ikue Mori -- Beth Coleman (M. Singe) -- Maria Chavez -- Christina Kubisch -- Annea Lockwood -- Chantal Passamonte (Mira Calix) -- Jessica Rylan -- Susan Morabito -- Rekha Malhotra (DJ Rekha) -- Giulia loli (DJ Mutamassik) -- Jeannie Hopper -- Antye Greie (AGF) -- Pamela Z -- Laetitia Sonami -- Bevin Kelley (Blevin Blectum) -- Le Tigre -- Bev Stanton (Arthur Loves Plastic) -- Keiko Uenishi (o.blaat) -- Riz Maslen (Neotropic)
*5202 $aDescription from publisher: "Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement. Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, "performance novels," sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns."
*650 7$aElektronisk musik $2sao$0https://id.kb.se/term/sao/Elektronisk%20musik
*650 7$aKvinnliga musik er$2sao$0https://id.kb.se/term/sao/Kvinnliga%20musik er
*650 7$aKvinnliga tonsättare$2sao$0https://id.kb.se/term/sao/Kvinnliga%20tons%C3%A4ttare
*650 7$aDiskjockeyer$2sao$0https://id.kb.se/term/sao/Diskjockeyer
*650 7$aElektroakustisk musik $xhistoria$2sao
*650 0$aWomen musicians$vInterviews
*650 0$aDisc jockeys$vInterviews
*650 0$aElectronic music$xHistory and criticism
*650 0$aDisc jockeys
*650 0$aWomen musicians
*650 0$aWomen composers
*655 7$aIntervjuer$0https://id.kb.se/term/saogf/Intervjuer$2saogf
*841 $5Ko$ax 2$b191009||0000|||||000||||||000000$eu
*852 $5Ko$bKo$cMUSIK -$hIj
*887 $a{"@id":"dxqr2v0q1qfd5h1","modified":"2018-10-30T23:00:00+01:00","checksum":"259649504068"}$2librisxl
*887 $5Ko$a{"@id":"09qfx0p2xg9xbz1v","modified":"2019-11-04T10:47:01.186+01:00","checksum":"82758557391"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, "performance novels," sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Acknowledgments Introduction Time and Memory Pauline Oliveros Kaffe Matthews Carla Scaletti Eliane Radigue Space and Perspective Maggi Payne Ikue Mori Beth Coleman (M. Singe) Maria Chavez Nature and Synthetics Christina Kubisch Annea Lockwood Chantal Passamonte (Mira Calix) Jessica Rylan Circulation and Movements Susan Morabito Rekha Malhotra (DJ Rekha) Giulia Loli (DJ Mtuamassik) Jeannie Hopper Language, Machines, Embodiment Antye Gueie (AGF) Pamela Z Laetitia Sonami Bevin Kelley (Blevin Blectum) Alone/Together Le Tigre Bev Stanton (Arthur Loves Plastic) Keiko Uenishi (o.blaat) Riz Maslen (Neotropic) Glossary Discography References Index