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Utgivning, distribution etc. 2018
Vancouver, British Columbia : Grunt Gallery.
©2018
Utgivningsår
Fysisk beskrivning 155 pages illustrations, portraits, photographs 18 cm
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehållsbeskrivning, sammanfattning The main catalyst for the initiation of Jacqueline Hoàng Nguyễn's project The making of an archive was the photo albums of the artist's father, an amateur photographer who took countless photographs of his daily life when he first immigrated to Canada in the 1970s. However, while doing research for her previous artworks, the lack of representation of the immigrant's daily life in state narratives seemed paradoxical for a country that is internationally known as the instigator of multiculturalism. Due to this visual deficiency and threat of photographic disintegration, Nguyen initiated The making of an archive, a project that seeks to collect images of everyday life photographed by migrants, particularly of people of colour, in a direct, collective, and exploratory approach. One of the salient themes of the work is how to make visible the rich histories of activism and solidarity that complicate the pervasive myth of the agreeable "model minority." This publication serves as a critical document of Nguyen's research and the project's relevance to larger conversations around Canadian vernacular photography by people of colour, the role of the artist-initiated archive, and how an expansion of the archival record relates to political and social change.
Term
Institutionsnamn
ISBN
Antal i kö:
*000 cam a 3i 4500
*00146805
*00520190923163452.0
*008190923s2018 bccaco|||b||||000 0|eng|d
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*1001 $aNguyễn, Jacqueline Hoàng
*24514$aThe making of an archive /$ca project initiated by Jacqueline Hoàng Nguyễn ; edited by Jacqueline Hoàng Nguyễn, Vanessa Kwan, Dan Pon.
*264 1$c2018
*264 1$aVancouver, British Columbia :$bGrunt Gallery.
*264 4$c©2018
*300 $a155 pages$billustrations, portraits, photographs$c18 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*340 $b18 cm
*504 $aIncludes bibliographical references.
*520 $aThe main catalyst for the initiation of Jacqueline Hoàng Nguyễn's project The making of an archive was the photo albums of the artist's father, an amateur photographer who took countless photographs of his daily life when he first immigrated to Canada in the 1970s. However, while doing research for her previous artworks, the lack of representation of the immigrant's daily life in state narratives seemed paradoxical for a country that is internationally known as the instigator of multiculturalism. Due to this visual deficiency and threat of photographic disintegration, Nguyen initiated The making of an archive, a project that seeks to collect images of everyday life photographed by migrants, particularly of people of colour, in a direct, collective, and exploratory approach. One of the salient themes of the work is how to make visible the rich histories of activism and solidarity that complicate the pervasive myth of the agreeable "model minority." This publication serves as a critical document of Nguyen's research and the project's relevance to larger conversations around Canadian vernacular photography by people of colour, the role of the artist-initiated archive, and how an expansion of the archival record relates to political and social change.
*599 $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
*650 0$aPhotography of immigrants.
*650 0$aVernacular photography.
*650 0$aPhotography$zCanada.
*650 0$aPortrait photography$zCanada.
*650 0$aArchives$xPhilosophy.
*650 5$aImmigrants$zCanada.
*650 5$aImmigrants$zCanada$xSocial conditions.
*655 7$aArtists' books.$2lcgft
*655 7$aIllustrated works.$2lcgft
*655 7$aInformational works.$2lcgft
*7001 $aKwan, Vanessa,$d1976-$4edt$4cur
*7001 $aPon, Dan.$4edt$4cur
*7001 $aTanaka, Maiko,$d1978-$4cur
*7102 $aGrunt Gallery.$4pbl
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*852 $5Ko$bKo$cARTISTS' BOOKS
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