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Titel och upphov Site-specific art : performance , place and documentation
Utgivning, distribution etc. London : Routledge, cop. 2000
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Innehåll Innehåller avsnitt om: Meredith Monk -- Michelangelo Pistoletto -- Station House Opera
Term
Automatiskt genererade ämnesord (BURK) Konst Konsthistoria Otraditionella Konstformer Efterkrigstiden Offentliga Nöjen Underhållning Efterkrigstiden
ISBN 9780415185592 0415185580 0415185599
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Site-Specific Art charts the development of an experimental art form in an experimental way. Nick Kaye traces the fascinating historical antecedents of today's installation and performance art, while also assembling a unique documentation of contemporary practice around the world. The book is divided into individual analyses of the themes of space, materials, site, and frames. These are interspersed by specially commissioned documentary artwork from some of the world's foremost practitioners and artists working today. This interweaving of critique and creativity has never been achieved on this scale before. Site-Specific Art investigates the relationship of architectural theory to an understanding of contemporary site related art and performance, and rigorously questions how such works can be documented. The artistic processes involved are demonstrated through entirely new primary articles from: * Meredith Monk * Station House Opera * Brith Gof * Forced Entertainment. This volume is an astonishing contribution to debates around experimental cross-arts practice.
Notes on Contributors p. ix Acknowledgements p. xv Introduction: Site-Specifics p. 1 Nights In This City: diverse letters and fragments relating to a performance now past p. 13 Spaces p. 25 Performing the Gallery: Robert Morris and Michelangelo Pistoletto p. 26 Performing the City: Krzysztof Wodiczko p. 33 Architecture and Event: Bernard Tschumi p. 41 'Placeevent': Brith Gof p. 52 Le Stanze (The Rooms) p. 59 Site p. 91 Mapping Site: Robert Smithson p. 92 Unmappable Spaces p. 100 Performing Mapping: Allan Kaprow, Claes Oldenburg, Wolf Vostell p. 105 Space as Map and Memory: Meredith Monk p. 119 Ten Feet and Three Quarters of an Inch of Theatre p. 125 Materials p. 139 Material Affects: Gilberto Zorio, Giovanni Anselmo, Giuseppe Penone p. 139 Embodying Site: Dennis Oppenheim and Vito Acconci p. 151 Theatrical Materials: Station House Opera p. 163 The Breeze Block Performances p. 170 Frames p. 183 Repetition and Location: Daniel Buren p. 184 'Framing and Being Framed': Hans Haacke p. 192 Performing Inside and Outside: Fiona Templeton p. 199 Site-Specific Works p. 203 Conclusion: Documentation p. 215 Bibliography p. 221 Index p. 229