Hylla FOTOGRAFI - Inz Willner, Johan
Personnamn
Titel och upphov Wind upon the face of waters
Utgivning, distribution etc. 2016
Bielefeld : Kerber Verlag, c2016
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
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Anmärkning: Innehållsbeskrivning, sammanfattning "Wind upon the face of waters" deals with the great questions of religion and faith, from a perspective to be brought up in a modern, political and strongly secular society, during the seventies and eighties. It is a personal story that also reflects on the photographic method, Johan Willner combines the black and white photographs with an integrated essay in which the two parts follow each other and work both independently and jointly in the photographic and textual narrative. A combination that contributes to an extension of the experience of the photograph. Exhibition: Landskrona Photofestival, Sweden (19.08-28.08.2016).
Personnamn
Term
ISBN
Antal i kö:
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*340 $b22 cm
*4901 $aKerber photo art
*5208 $a"Wind upon the face of waters" deals with the great questions of religion and faith, from a perspective to be brought up in a modern, political and strongly secular society, during the seventies and eighties. It is a personal story that also reflects on the photographic method, Johan Willner combines the black and white photographs with an integrated essay in which the two parts follow each other and work both independently and jointly in the photographic and textual narrative. A combination that contributes to an extension of the experience of the photograph. Exhibition: Landskrona Photofestival, Sweden (19.08-28.08.2016).
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*650 0$aSvartvitt fotografi
*650 0$aPortrait photography
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*7001 $aOdbratt, Göran$4edt
*7001 $aTjelder, Michael,$d1968-$4edt
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*852 $5Ko$bKo$cFOTOGRAFI -$hInz Willner, Johan
*88010$6245-00$aWind upon the face of waters /$c[Johan Willner ; [editorial staff, G诲an Odbratt, Michael Tjelder ; translations, Katherine Stuart]
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^
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Wind Upon the Face of Waters deals with the great questions of religion and faith, from a perspective to be brought up in a modern, political and strongly secular society, during the seventies and eighties.It is a personal story that also reflects on the photographic method, Johan Willner combines the black and white photographs with an integrated essay in which the two parts follow each other and work both independently and jointly in the photographic and textual narrative. A combination that contributes to an extension of the experience of the photograph.In 2015 Wind Upon the Face of Waters was awarded Best Portfolio at Landskrona Photo Festival, Sweden (August 2016) and the winner of the Spine International Dummy Award.