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Utgivning, distribution etc. London : Phaidon, 2018
©2018
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 295 pages : illustrations (some color) ; 24 cm
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 283-291) and index
Anmärkning: Innehåll Introduction: a museum of lost art -- Theft -- War -- Accident -- Iconoclasm & vandalism -- Acts of God -- Temporal works -- Destroyed by owner -- Buried & exhumed -- Lost, or never was? -- Conclusion: lost is just another word for waiting to be found
Term
ISBN 978-0-7148-7584-2 0-7148-7584-8
Antal i kö:
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*020 $a0-7148-7584-8
*035 $a(OCoLC)1007077162
*035 $a(SE-LIBR)22414742
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*05014$aN9100$b.C48 2018
*08204$a701/.03$223
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*1001 $aCharney, Noah$4aut
*24514$aThe museum of lost art /$cNoah Charney
*264 1$aLondon :$bPhaidon,$c2018
*264 4$c©2018
*300 $a295 pages :$billustrations (some color) ;$c24 cm
*336 $atext$btxt$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*504 $aIncludes bibliographical references (pages 283-291) and index
*5050 $aIntroduction: a museum of lost art -- Theft -- War -- Accident -- Iconoclasm & vandalism -- Acts of God -- Temporal works -- Destroyed by owner -- Buried & exhumed -- Lost, or never was? -- Conclusion: lost is just another word for waiting to be found
*599 $aImported from: olc1.ohiolink.edu:210/INNOPAC (Do not remove)
*650 7$aFörsvunna konstverk$2sao
*650 7$aKonststöld er$2sao
*650 0$aLost works of art
*650 0$aArt thefts
*650 0$aArt treasures in war
*650 0$aArt$xMutilation, defacement, etc
*650 0$aArt$xHistory
*841 $5Ko$ax aa$b180424||0000|||||000||||||000000$en
*852 $5Ko$bKo$cKONST -$hIb
^
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True tales of lost art, built around case studies of famous works, their creators, and stories of disappearance and recovery
From the bestselling author of The Art of Forgery comes this dynamic narrative that tells the fascinating stories of artworks stolen, looted, or destroyed in war, accidentally demolished or discarded, lost at sea or in natural disasters, or attacked by iconoclasts or vandals; works that were intentionally temporal, knowingly destroyed by the artists themselves or their patrons, covered over with paint or plaster, or recycled for their materials. An exciting read that spans the centuries and the continents.