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Titel och upphov Black s and Black ness in European visual culture of the long 19th century
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Fysisk beskrivning 240 pages illustrations (black and white, and colour) 25 cm
Anmärkning: Allmän Originally published: Farnham: Ashgate, 2014.
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Antal i kö:
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*24510$aBlack s and Black ness in European visual culture of the long 19th century /$cedited by Adrienne L. Childs, Susan H. Libby.
*264 1$aLondon :$bRoutledge,$c2017
*300 $a240 pages$billustrations (black and white, and colour)$c25 cm
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*500 $aOriginally published: Farnham: Ashgate, 2014.
*648 7$a1800-1899$2fast
*650 0$aBlack s in art .
*650 0$aArt , European$y19th century.
*650 7$aArt , European.$2fast
*650 7$aBlack s in art .$2fast
*700 $aChilds, Adrienne L.$4edt
*700 $aLibby, Susan Houghton$4edt
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Compelling and troubling, colorful and dark, black figures served as the quintessential image of difference in nineteenth-century European art; the essays in this volume further the investigation of constructions of blackness during this period. This collection marks a phase in the scholarship on images of blacks that moves beyond undifferentiated binaries like ¿negative¿ and ¿positive¿ that fail to reveal complexities, contradictions, and ambiguities. Essays that cover the late eighteenth through the early twentieth century explore the visuality of blackness in anti-slavery imagery, black women in Orientalist art, race and beauty in fin-de-si¿e photography, the French brand of blackface minstrelsy, and a set of little-known images of an African model by Edvard Munch. In spite of the difficulty of resurrecting black lives in nineteenth-century Europe, one essay chronicles the rare instance of an American artist of color in mid-nineteenth-century Europe. With analyses of works ranging from G¿cault's Raft of the Medusa, to portraits of the American actor Ira Aldridge, this volume provides new interpretations of nineteenth-century representations of blacks.