Hylla KONST - Ibz Ukeles, Mierle Laderman
Personnamn
Titel och upphov Mierle Laderman Ukeles : maintenance art
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 255 pages : illustrations ; 31 cm
Anmärkning: Allmän "This catalogue is published on the occasion of the exhibition Mierle Laderman Ukeles: Maintenance Art , Queens Museum, New York, September 18, 2016-February 19, 2017."
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll The work we do / Laura Raicovich -- Ukeles at the Queens Museum / Larissa Harris -- Never done: women's work by Mierle Laderman Ukeles / Lucy R. Lippard -- Making necessity art : collisions of maintenance and freedom / Patricia C. Phillips -- Interviews with New York City Depart ment of Sanitation Commissioners / Tom Finkelpearl with Norman Steisel, Brendan Sexton, John Doherty, and Kathryn Garcia -- Art ist's writings -- Selected work history / Patricia C. Phillips -- Additional art works / Patricia C. Phillips.
Anmärkning: Innehållsbeskrivning, sammanfattning "The work of Mierle Laderman Ukeles bridges feminism, environmentalism, and part icipatory art practice. This first comprehensive book on the influential art ist explores her legendary tenure as art ist-in-residence at New York City's Depart ment of Sanitation, which paved the way for similar "embedded art ists" in government and community organizations. Essays, interviews, and striking illustrations offer important perspectives on an art ist who has transformed our ideas about the feminist, urban, ecological, and resilient aspects of art istic experience. Whether it's her groundbreaking "Manifesto for Maintenance Art 1969!," which decries the separation, especially for women, between art on the one hand and caring for family, city, and planet on the other; or "The Social Mirror," in which she covered a New York City Depart ment of Sanitation truck entirely in mirrored glass-Ukeles's body of work includes public art installations, exhibitions, and performances around the world, frequently created in collaboration with sanitation and municipal workers, museum visitors, and the public"-- Provided by publisher.
Personnamn
Term
Institutionsnamn
ISBN 978-3-7913-5538-2 3-7913-5538-4
Antal i kö:
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*008161210s2016 xxua bc 000 0 eng
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*020 $a3-7913-5538-4$q(hardback)
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*084 $aIbz Ukeles, Mierle Laderman$2kssb/8
*1001 $aPhillips, Patricia C.,$d1952-
*24510$aMierle Laderman Ukeles :$bmaintenance art /$cPatricia C. Phillips ; with contributions by Tom Finkelpearl, Larissa Harris, and Lucy R. Lippard.
*300 $a255 pages :$billustrations ;$c31 cm
*500 $a"This catalogue is published on the occasion of the exhibition Mierle Laderman Ukeles: Maintenance Art , Queens Museum, New York, September 18, 2016-February 19, 2017."
*504 $aIncludes bibliographical references.
*50500$tThe work we do /$rLaura Raicovich --$tUkeles at the Queens Museum /$rLarissa Harris --$tNever done: women's work by Mierle Laderman Ukeles /$rLucy R. Lippard --$tMaking necessity art : collisions of maintenance and freedom /$rPatricia C. Phillips --$tInterviews with New York City Depart ment of Sanitation Commissioners /$rTom Finkelpearl with Norman Steisel, Brendan Sexton, John Doherty, and Kathryn Garcia --$gArt ist's writings --$gSelected work history /$rPatricia C. Phillips --$gAdditional art works /$rPatricia C. Phillips.
*520 $a"The work of Mierle Laderman Ukeles bridges feminism, environmentalism, and part icipatory art practice. This first comprehensive book on the influential art ist explores her legendary tenure as art ist-in-residence at New York City's Depart ment of Sanitation, which paved the way for similar "embedded art ists" in government and community organizations. Essays, interviews, and striking illustrations offer important perspectives on an art ist who has transformed our ideas about the feminist, urban, ecological, and resilient aspects of art istic experience. Whether it's her groundbreaking "Manifesto for Maintenance Art 1969!," which decries the separation, especially for women, between art on the one hand and caring for family, city, and planet on the other; or "The Social Mirror," in which she covered a New York City Depart ment of Sanitation truck entirely in mirrored glass-Ukeles's body of work includes public art installations, exhibitions, and performances around the world, frequently created in collaboration with sanitation and municipal workers, museum visitors, and the public"--$cProvided by publisher.
*599 $aImported from: database.lib.rochester.edu:7090/voyager (Do not remove)
*60014$aUkeles, Mierle Laderman,$d1939-
*650 7$aART $xIndividual Art ists$xMonographs.$2bisacsh
*650 $aArt ists' writings
*655 7$aExhibition catalogs.$2fast
*7001 $aFinkelpearl, Tom$4aut
*7001 $aHarris, Larissa$4aut
*7001 $aLippard, Lucy R.$4aut
*7102 $aQueens Museum of Art $4his
*852 $5Ko$bKo$cKONST -$hIbz Ukeles, Mierle Laderman$lPHI
^
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The first comprehensive monograph devoted to Mierle Laderman Ukeles and her groundbreaking participatory art practice. The work of Mierle Laderman Ukeles brilliantly bridges feminism, environmentalism, and participatory art practice. Whether it s her groundbreaking Manifesto for Maintenance Art 1969!, which decries the separation, especially for women, between art on the one hand and caring for family, city, and planet on the other; or The Social Mirror, in which she covered a New York City Department of Sanitation truck entirely in mirrored glass Ukeles's fascinating body of work includes public art installations, exhibitions, and performances around the world, frequently created in collaboration with sanitation and municipal workers, museum visitors, and the public. This first comprehensive book on the influential artist explores her legendary tenure as artist-in-residence at New York City s Department of Sanitation, which has paved the way for similar embedded artists in government and community organizations. Essays, interviews, and striking illustrations offer important perspectives on an artist who has transformed our ideas about the feminist, urban, ecological, and resilient aspects of artistic experience."