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Titel och upphov Public servants : art and the crisis of the common good
Utgivning, distribution etc. The MIT Press, Cambridge, Mass. : [2016]
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Seriebiuppslag under titel
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Term
ISBN 978-0-262-03481-4 0-262-03481-6
Antal i kö:
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*24500$aPublic servants :$bart and the crisis of the common good /$cedited by Johanna Burton, Shannon Jackson, and Dominic Willsdon.
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*650 0$aArt s and society.
*650 0$aArt and state.
*650 7$aArt and state.$2fast
*650 7$aArt s and society.$2fast
*650 0$aArt and society
*7001 $aBurton, Johanna$4edt
*7001 $aJackson, Shannon,$d1967-$4edt
*7001 $aWillsdon, Dominic$4edt
*830 0$aCritical anthologies in art and culture.
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*950 $aSamhälle och konst$uKonst och samhälle
*950 $aArkitektur och samhälle$wh$uKonst och samhälle
*950 $aKonst och politik$wh$uKonst och samhälle
*950 $aKonstpolitik$uKonst och samhälle
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Essays, dialogues, and art projects that illuminate the changing role of art as it responds to radical economic, political, and global shifts. How should we understand the purpose of publicly engaged art in the twenty-first century, when the very term "public art" is largely insufficient to describe such practices? Concepts such as "new genre public art," "social practice," or "socially engaged art" may imply a synergy between the role of art and the role of government in providing social services. Yet the arts and social services differ crucially in terms of their methods and metrics. Socially engaged artists need not be aligned (and may often be opposed) to the public sector and to institutionalized systems.In many countries, structures of democratic governance and public responsibility are shifting, eroding, and being remade in profound ways-driven by radical economic, political, and global forces. According to what terms and through what means can art engage with these changes? This volume gathers essays, dialogues, and art projects-some previously published and some newly commissioned-to illuminate the ways the arts shape and reshape a rapidly changing social and governmental landscape. An artist portfolio section presents original statements and projects by some of the key figures grappling with these ideas.
Series Preface p. ix Director's Foreword p. xi Plight of the Publics: An Introduction to Public Servants Johanna Burton, Shannon Jackson, and Dominic Willsdon p. xv Public Works p. 1 "We don't need another hero": War and Public Memory p. 3 Who Owns a Vacant Lot? Orthodoxy vs. Culture Industry p. 27 Art and the Cultural Contradictions of Urban Regeneration, Social Justice, and Sustainability: Transforma Projects and Prospect.1 in Post-Katrina New Orleans p. 45 Latin America and a New Political Leadership: Experimental Acts of Coexistence p. 71 The Destruction of Destruction p. 91 Department of Security p. 109 The Fire This Time: Black Youth and the Spectacle of Postracial Violence p. 111 Photo Requests from Solitary p. 131 Can This Machine Kill Mass Incarceration? p. 141 Squeaky Dolphin to Normcore: Anxiety in a Big-Data Era p. 159 Department of Labor and Economy p. 173 Biopolitics, Identity, and the Public Sphere in the 1970s: Oskar Negt and Alexander Kluge p. 175 W.A.G.E.N.C.Y.: W.A.G.E. (Working Artists and the Greater Economy) p. 191 Indent (to Serve the Debt) p. 197 In Service: Art, Value, Merit, and the Making of Publics p. 207 Portfolio: Organized p. 221 Simone Leigh p. 222 Ashley Hunt p. 228 Pedro Reyes p. 234 Jeanne Van Heeswijk p. 240 Gregg Bordowitz p. 245 Mel Chin p. 251 Pablo Helguera p. 257 Caroline Woolard p. 263 Jonas Staal p. 269 Andrea Fraser p. 275 Department of Education p. 281 Neoliberalized Knowledge p. 283 Back to the Future (of Art School) p. 299 Sliding Scale: Between Art and Education p. 313 Mutual Rehabilitation: Norfolk Prison Recordings of Art Books for Blind Readers p. 331 Department of Health and Environment p. 341 Art After Nature: The Post-Natural Condition p. 343 Dear , I write regarding toxic sovereignties in Windjarrameru p. 357 Embodied Memory: Reimagining and Legislating Sumak Kawsay in the Modern Andes p. 367 Women, Waves, Web p. 381 Department of Culture p. 405 Government Agency p. 407 A critique of social practice art: What does it mean to be a political artist? p. 423 Growing Dialogue: What Is the Effectiveness of Socially Engaged Art? p. 437 Starting in the Middle: NGOs and Emergent Forms for Cultural Institutions p. 465 Publication History p. 481 Contributors p. 485 Board of Trustees p. 501 Index p. 503