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Titel och upphov Duccio and the origins of western painting
Utgivning, distribution etc. Metropolitan Museum of Art ; Yale University Press, New York : New Haven : c2008
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DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 61 s. : ill. (huvudsakligen i färg) ; 28 cm
Anmärkning: Allmän "Reprint of The Metropolitan Museum of Art bulletin (Summer, 2008)"--T.p. verso.
Anmärkning: Bibliografi etc. Includes bibliographical references (p. 60).
Personnamn
Uniform titel Bulletin of the Metropolitan Museum of Art. Summer 2008
ISBN 978-0-300-14544-1 (Yale University Press (pbk.)) 0-300-14544-6 (Yale University Press (pbk.)) 978-1-58839-289-3 (Metropolitan Museum of Art (pbk.)) 1-58839-289-9 (Metropolitan Museum of Art (pbk.))
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*500 $a"Reprint of The Metropolitan Museum of Art bulletin (Summer, 2008)"--T.p. verso.
*504 $aIncludes bibliographical references (p. 60).
*60004$aDuccio di Buoninsegna ,$dd. 1319
*60000$aDuccio ,$cdi Buoninsegna ,$dd. 1319$xCriticism and interpretation.
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In 2004 the Metropolitan Museum acquired an extremely rare and beautiful Madonna and Child by the great painter Duccio di Buoninsegna. Duccio, who died in 1318, has long been recognized as the father of Sienese painting, and he fostered a new generation of talented and innovative painters. In art history textbooks, however, his considerable contribution to European painting is often overshadowed by the work of his contemporary Giotto. Christiansen examines the fascinating connection between Giotto and Duccio, which he likens to Michelangelo's relationship with Raphael, or Picasso's with Matisse, and explains the particular qualities that make Duccio such an essential artist.