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Uniform titel Deleuze et l'art. Engelska
Utgivning, distribution etc. New York : Bloomsbury, 2018
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DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
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Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll Cartographies of art: from literature to the image -- Critical and clinical -- The affect of force -- The body without organs -- The critique of interpretation and the machine -- Minor art -- Rhizomes and lines -- The violence of sensation -- Art and immanence -- Conclusions.
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Antal i kö:
*00001331cam a22003377i 4500
*00141000
*00520180226131315.0
*008180226s2018 xxu b 001 0 eng
*020 $a978-1-4742-6024-4
*035 $a(SE-LIBR)22463165
*040 $aKo
*0411 $aeng$hfre
*05000$aB2430.D454$bS2313 2013
*08200$a701/.17092$223
*084 $aIaa$2kssb/8 (machine generated)
*1001 $aSauvagnargues, Anne
*24010$aDeleuze et l'art.$lEngelska
*24510$aDeleuze and art /$cAnne Sauvagnargues ; translated by Samantha Bankston.
*250 $aPaperback ed.
*264 1$aNew York :$bBloomsbury,$c2018
*300 $avii, 228 pages ;$c24 cm.
*336 $atext$2rdacontent
*337 $aunmediated$2rdamedia
*338 $avolume$2rdacarrier
*504 $aIncludes bibliographical references and index.
*5050 $aCartographies of art: from literature to the image -- Critical and clinical -- The affect of force -- The body without organs -- The critique of interpretation and the machine -- Minor art -- Rhizomes and lines -- The violence of sensation -- Art and immanence -- Conclusions.
*60014$aDeleuze, Gilles,$d1925-1995
*648 7$a1900-talet$2sao
*650 7$aEstetik$2sao$0https://id.kb.se/term/sao/Estetik
*650 0$aAesthetics, Modern$y20th century.
*650 0$aArts$xPhilosophy.
*7001 $aBankston, Samantha,$etranslator.
*7001 $aSauvagnargues, Anne.$tDeleuze et l'art.$iTranslation of:
*841 $5Ko$ax a$b1802264u 8 1001uu 0901128$e4
*852 $5Ko$bKo$cKONST -$hIaa
^
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In Deleuze and Art Anne Sauvagnargues, one of the world's most renowned Deleuze scholars, offers a unique insight into the constitutive role played by art in the formation of Deleuze's thought. By reproducing Deleuze's social and intellectual references, Sauvagnargues is able to construct a precise map of the totality of Deleuze's work, pinpointing where key Deleuzian concepts first emerge and eventually disappear. This innovative methodology, which Sauvagnargues calls "periodization", provides a systematic historiography of Deleuze's philosophy that remains faithful to his affirmation of the principle of exteriority. By analyzing the external relations between Deleuze's self-proclaimed three philosophical periods, Sauvagnargues gives the reader an inside look into the conceptual and artistic landscape that surrounded Deleuze and the creation of his philosophy. With extreme clarity and precision, Sauvagnargues provides an important glimpse into Deleuze's philosophy by reconstructing the social and intellectual contexts that contributed to the trajectory of his thought. This book is the product of insightful and careful research, which has not been made available to English readers of Deleuze before now.